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Piracy

Kent Lambert

2004 00:00:35 United StatesEnglishColorStereo4:3DV video
Tags:
Consumer culture, Found Footage

Description

Via Jonathan Pryce in elaborate costuming, Walt Disney’s Pirates of the Caribbean (2003) unwittingly sounded a clear and full-throated argument for the appropriation of so-called intellectual property, for the video remix/rework/quotation, practices and forms that would become ubiquitous on YouTube and its ilk a few short years later.

"Like Gaijin, these five videos were made very quickly. My goal was to make all five of them in the span of a workweek, one video a night. If I remember correctly, I succeeded with all but one of them (it took me a few nights to get The Biggest Night in Music just right). These videos were commissioned for and premiered in the April-May 2004 Dialogue with Pop exhibition at NYC’s The Tank."

This video is part of the 5 Video Hits series and is also available on Kent Lambert Videoworks: Volume 1

About Kent Lambert

Kent Lambert is a Chicago-based musician and media artist. His creative output primarily consists of 1) vocal driven art-pop music and 2) pop-inflected video art made from repurposed industrial and commercial media. His ever-mutating band Roommate has been performing stateside and abroad for over a decade. Their fourth album MAKE LIKE was released in 2015.

Lambert on his work: 

In my music and video work, I search for intersections between 1) meditative interrogation of society and self 2) textural and tonal intrigue and beauty 3) absurdist and/or humanist humor and 4) cathartic emotional expression. A primary underlying motivation of my video work is to reflect, critique and ultimately transcend American zeitgeists and my own consumption within them.