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Illuminatin' Sweeney

Skip Sweeney

1975 00:28:38 United StatesNoneColorMono

Description

Skip Sweeney was an early and proficient experimenter with video feedback. A feedback loop is produced by pointing a camera at the monitor to which it is cabled. Infinite patterns and variations of feedback can be derived from manipulating the relative positions of camera and monitor, adjusting the monitor control, becoming a swirling vortex. Sweeney and others were intrigued with feedback's ability to generate pulsing images like a living organism. He claimed he would "just as soon be a video rock-and-roll musician" and produce feedback as a performance instrument (Anthology Film Archives, 1981). Sweeney produced many variations of feedback and processed imagery, and is especially noted for his works incorporating dance and movement.

Illuminatin' Sweeney was produced for WNET New York's Video and Television Review. This video shows feedback processed through a combination of a Moog audio synthesizer and the Vidium colorizing synthesizer invented by Bill Hearn in 1969. Recorded off the monitor with a black and white camera, the images were later colorized. Sweeney produced this feedback during a "video jam session" at Video Free America.

The total running time for this piece is 28:38. An excerpt of this title (5:00) is also available on Surveying the First Decade: Volume 2.

About Skip Sweeney

Born in 1946, Skip Sweeney studied theater arts at Santa Clara University before becoming involved in the Bay Area video scene in the late 60s. In 1968, Sweeney was one of the founders of Electric Eye, an early media collective concerned with video performances and experiments. In 1970, Sweeney founded Video Free America, a San Francisco media arts center and communications nexus, with Arthur Ginsberg. Sweeney's work in video included abstract image-processing and synthesis, autobiographical documentaries and portraits, and video installations for theater including a version of Allen Ginsberg's Kaddish (1977). Tuning and tinkering for hours to produce shimmering, interweaving video mandalas, Sweeney was one of a handful of people who mastered video feedback. Sweeney later worked in collaboration with Joanna Kelly, producing video dance tapes, video art, and documentaries.