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1.1 Acre Flat Screen

eteam

2004 00:45:05 United StatesEnglishColorStereo

Description

1.1 Acre Flat Screen is a 45-minute video about a year-long effort to improve a lot of 1.1 acres of desert land in Utah, which we purchased on September 4th 2002 on eBay. The video starts with ways of finding a lot in the desert, using satellite images, topographical maps, a compass and string. It displays ideas and plans on how to improve the land’s value and documents our preparations to face the unforgiving desert.

In August 2003 we finally went back to the lot and stayed there in order to stop one of the trains that runs nearby. Train stops have often been the first sign of an infrastructural improvement in an area and are also an option to make a living in the desert.”

--eteam (Franziska Lamprecht and Hajoe Moderegger)

 

“There's nothing more conceptual than actually getting something done. eteam, Franziska Lamprecht and Hajoe Moderegger, two German artists living in the United States, have turned practicality into an aesthetic absurdum by pursuing odd tasks to their outlandish conclusions. eteam's finest moment of home improvement can be found in the wonky work 1.1 Acre Flat Screen. This is a precise, detailed, and riotous account of their purchase of a small tract of dusty acreage through an eBay auction. eteam tracks their acquisition to a sagebrush-laden void in southwestern Utah whose indistinguishable expanse makes it the perfect foil for fantasizing. As if upon the more familiar flat screen of their computer, the artists begin to project a domesticated mirage atop their slab of high desert. “Surrounded by big dreams,” they offer, “the lot was perfect as it was.”  Happy times for Conceptual Art; a grave defeat for Home Depot.”

--Steve Seid, Pacific Film Archive

eteam uses video, performance, installation and writing to instigate and articulate encounters at the edges of diverging cultural, technical and aesthetic universes. Through their artistic practice eteam finds ways to collaborate with people who operate on the edges of mainstream culture and the marketplace. They are drawn to those willing to experiment, cross genres and cultural boundaries, together we forge proximity and make visible the interconnections we humans share with land, animals, plants, ghosts, deities and objects. Practicing art is their way to enter the “outside,” pay close attention to the details, while trying to understand the whole.

eteam’s narratives have screened internationally in video- and film festivals, they lectured in universities, presented in art galleries and museums and performed in the desert, on fields, in caves in ships, black box theaters and horse-drawn wagons.

They could not have done this without the support of Creative Capital and The John Simon Guggenheim Memorial Foundation, Art in General, NYSCA, NYFA, Rhizome, CLUI, Taipei Artist Village, Eyebeam, Smack Mellon, Yaddo and MacDowell, the City College of New York, the Academy of Visual Art HKBU and the Fulbright Scholar Program, among many others. Their novel Grabeland was published by Nightboat Books in February 2020.

They received to Fulbright Scholarships to research the relationship between traditional puppetry and digital smart phones in Taiwan.

Also available from eteam is the book Buzz Cut