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amaurosis

Tran, T. Kim-Trang

2002 00:28:00 United StatesEnglishColorStereo4:3Video

Description

amaurosis is an experimental documentary about Dat Nguyen, a blind guitarist living in Little Saigon, Orange County, California. Dat Nguyen was a "triple outcast": blind, Amerasian, and an impoverished orphan. His American father left Viet Nam in 1973, and his mother died in 1975. Living on the streets of Saigon, he sold lottery tickets for food money. At the age of 12, Dat met a classical music teacher who was also blind and who taught him to read Braille as well as supported him. When he was 18, Dat heard Segovia played for the first time on his teacher's radio and became hooked on classical guitar. Several years later, he learned that Amerasian children could immigrate to the U.S. under a new program, and thus began his life in the States.

Dat needed little accommodation for his blindness in learning the guitar; he is able to play almost anything note for note after hearing it only once. Dat has been featured in the Los Angeles Times, Reader's Digest, and Fox News Network for his talent. The video unfolds through layers of dialogue with Dat Nguyen about his experiences as a new immigrant and young adult in America. The soundtrack features original music from Dat's band, Bayadera.

amaurosis is a media work about an individual in a community seldom represented. Beyond their disabilities, this community of Vietnamese Americans is oppressed on many levels: language and cultural differences, immigrant and lower income status, and societal misunderstanding and alienation. From a typical Vietnamese perspective, which still holds many superstitions to be true, people with disabilities are seen as symbols of bad karma and ill omens, causes for shame and fright. Saddest of all is the wholesale dismissal of the disabled person as incapable of anything productive in life. From a Western perspective, many of these prejudices have been exposed, and although blatant displays occur less often, more insidious and subtle forms of discrimination still take place on a daily basis. The tape strives to present the life of one member from this unique community and promote his rich contributions.

This title is also available on Tran, T. Kim-Trang: The Blindness Series.

 

Tran, T. Kim-Trang was born in Viet Nam and emigrated to the U.S. in 1975.  She received her MFA from the California Institute of the Arts and has been producing experimental videos since the early 1990s.  Her work has been exhibited internationally.  In 1999 Tran presented her Blindness Series in a solo screening at the Museum of Modern Art.  Two of her videos were included in the Biennial exhibition at the Whitney Museum of American Art, and the Blindness Series was featured at the 46th Robert Flaherty Film Seminar, both in 2000.  Her video project, an eight-video series investigating blindness and its metaphors was completed in 2006.  Tran has been nominated for a CalArts/Alpert Award in the Arts and was named a 2001 Rockefeller Film/Video/Multimedia Fellow.  The fellowship has enabled her to develop an experimental narrative feature titled Call Me Sugar, based on the life of her mother.

Tran also collaborates with Karl Mihail on a project known as Gene Genies Worldwide© (genegenies.com).  Their conceptual and public artworks on genetic engineering have exhibited at the Ars Electronica Festival in Austria, Exit Art, the Tang Museum at Skidmore College, and elsewhere in the U.S.  She is currently an Associate Professor of Art at Scripps College.

More information on Tran and her expansive practice is avaliable via the 2016 digital publication more than meets the eye: the videos of Tran T. Kim-Trang. This publication contains a number of original critical texts, from scholars such as Lucas Hilderbrand and Holly Willis, which were commissioned in 2009 by Video Data Bank as part of The Blindness Series box set.