Skip to main content

The Appearance

Harun Farocki

1996 00:40:00 GermanyGermanColorStereo4:3BetacamSP video

Description

"The head of a Berlin advertising agency explains his proposed strategy to his potential client, a Danish optical company. The communication strategy that we ultimately came up with as a basis or any creative act or means of communication has three headings. The first is 'relevant, not arrogant'; the second, 'varied, not uniform'; and the third is, 'creative, not pushy'. These are essentially translations, strategic translations of your basic requirements and your analysis of the market, as well."

-- From the transcription of The Appearance

With The Appearance Farocki once again takes us into the world of advertising. An advertising agency has to pitch a marketing concept to an optician's consortium, represented by the manager who is the first to see the campaign. The logo submitted, "Eyedentity", is examined from every angle: it must simultaneously express both the company's dynamism and its reliability! A fascinating, dispassionate glimpse behind closed doors, where every detail is dramatised to win that lucrative contract.

-- Jörg Becker

Cinematographer: Ingo Kratisch; Second Cinematographer: Rosa Mercedes with Harun Farocki; Editor: Max Reimann; Sound: Ronny Tanner; Production: Harun Farocki Filmproduktion, Berlin, for 3-sat Mainz; Executive Producer: Ulrich Ströhle; TV Producer: Inge Classen

About Harun Farocki

Harun Farocki (1944-2014) was born in German-annexed Czechoslovakia. From 1966 to 1968 he attended the Deutsche Film- und Fernsehakademie Berlin (DFFB). In addition to teaching posts in Berlin, Düsseldorf, Hamburg, Manila, Munich and Stuttgart, he was a visiting professor at the University of California, Berkeley.

Farocki made close to 120 films, including feature films, essay films and documentaries. He worked in collaboration with other filmmakers as a scriptwriter, actor and producer. In 1976 he staged Heiner Müller's plays The Battle and Tractor together with Hanns Zischler in Basel, Switzerland.

He wrote for numerous publications, and from 1974 to 1984 he was editor and author of the magazine Filmkritik (München). His work has shown in many national and international exhibitions and installations in galleries and museums.