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Breaking Ground: Broken Circle/Spiral Hill

Nancy Holt

2011 00:20:56 NetherlandsEnglishB&W and ColorStereo16:9HD video
Tags:
Landscape, Nature, Sculpture, Time

Description

In 1971 Robert Smithson (1938-73) was invited to create an earthwork in the Netherlands on the occasion of the recurring outdoor exhibition Sonsbeek. Beside a working sand quarry in the province of Drenthe and cut into the side of a terminal moraine, Smithson created Broken Circle/Spiral Hill - his only extant earthwork outside of the United States. Broken Circle/Spiral Hill is an artwork of two parts. Broken Circle is a semi-circular jetty built into the quarry lake; at the center is a huge immovable boulder deposited by ancient glacial movements. Cone-shaped Spiral Hill can be climbed via spiraling path and at the top the quarry and Broken Circle can be seen from above.
 
The geological and industrial history of the Drenthe region drew Smithson to the site, and he was fascinated by the constructed landscape of The Netherlands. Smithson described in an interview how he was interested in “landscapes that suggest prehistory. As an artist it is sort of interesting to take on the persona of a geological agent where man actually becomes part of that process rather than overcoming it.” Smithson was committed to working with landscapes scarred by industry, thinking through future uses for exhausted landscapes. He described Broken Circle/Spiral Hill as a “major piece” and it sparked his interest in working with industry and post-industrial landscape to make art “a necessary part of their reclamation projects.”
 
Working with the artist Nancy Holt (1938-2014), the intention was to create a film as an integral part of Broken Circle/Spiral Hill. Working in film and video, Holt made a number of moving image works that feature earthworks and public sculpture by both Smithson and herself. In 1971 Smithson created a series of storyboards and Holt filmed Broken Circle/Spiral Hill on 16mm stock. The intention was to interweave material documenting the North Sea flood of 1953 that overwhelmed the sea defenses of The Netherlands and Belgium. Smithson died before the film was completed. In 2011, on the fortieth anniversary of Broken Circle/Spiral Hill, Theo Tegelaers of SKOR | Foundation for Art and Public Domain invited Holt to the complete the film. The resultant Breaking Ground: Broken Circle/Spiral Hill (1971-2011) combines her original 1971 footage with 2011 material and archival documentation of the flood to create a portrait of Broken Circle/Spiral Hill and its unique surroundings.

Copyright Holt/Smithson Foundation.

About Nancy Holt

Nancy Holt studied at Tufts University in Massachusetts. In the mid-60s, Holt helped introduce a post-minimalist sensibility to the field of sculpture. She used video for the first time in 1969 "when Peter Campus rented a video camera and came over." 

"There was a tremendous sense of discovery because it was so accessible and so Bob [Smithson] and I immediately did a work of art. We invited a large group of people over to our loft that night, including Richard Serra, Michael Heizer, Nancy Graves, and Keith Sonnier to see it. It was very unusual [to] discover a medium, make a work of art and show it in the same day. That broke the ice and gave me a sense of what it was about—what were film ideas and what were video ideas." 

Holt's early tapes, like her site-specific sculptures, explore the recorded experience of a particular time and place and the function of memory in perception. Holt's tapes twist the technical limits of video, calling attention to the medium's artificial nature, and maintaining a critical distance between public presentation and private reality.