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Code 33--Emergency! Clear the Air

Suzanne Lacy

2002 00:52:57 United StatesEnglishColorStereo

Description

From the performance by the same name, by Suzanne Lacy, Julio Morales and Unique Holland, with Kim Batiste, Raul Cabra, Patrick Toebe, David Goldberg, and Anne Maria Hardeman, Oakland, 1998-2000.

On a crisp fall evening, dozens of black cars and white cars with headlights blazing converged on the rooftop of a downtown-parking garage. In the spotlight of their beams, 100 police officers and 150 young people talked candidly and intensely about issues that affect them--crime, authority, power and safety. Code 33 is a cutting-edge public art project by an Oakland-based organization of artists, community activists, teachers and volunteers. Oakland Police Chief Richard Word placed youth relations as one of his top priorities, "If the Police Department needs to improve on anything, it's our relationship with young people in the community. Code 33 represents a model of youth-oriented policing." The performance included 50 youth dancers lit by a helicopter, 80 community members responding in small 'backyards' created for the event, and live video and web site presentations.

The video features the Code 33 performance and a behind-the-scenes look at both police and youth perspectives, including the very real physical danger both experience.

About Suzanne Lacy

Suzanne Lacy is unique in drawing the world into collaboration with her work while maintaining an individual vision. Although art is often conceived and realized as a private act, in Lacy’s work the performance becomes a frame in which many people create personal expressions in relationship to a common issue. A pioneer in socially interactive, feminist public art, Lacy’s large-scale performances have, since the mid-'70s, engaged mass audiences through media and complicated community organizing.  

Also known for her writing, Lacy edited the influential Mapping the Terrain: New Genre Public Art, published in 1995 by Bay Press, and Leaving Art: Writings on Performance, Politics, and Publics, 1974–2007, published in 2010 by Duke University Press. She is the Chair of the Graduate Public Practice Program at Otis College of Art and Design, in Los Angeles.