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Cyclone Alley Ceramics

George Kuchar

2000 00:12:00 United StatesEnglishColorMono4:3Video
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Description

Alone in my room at the El Reno Inn, way out west from Oklahoma City, I face a big picture window that overlooks the refuse of Route 66 to ponder the fate of trailer trash in Twisterville. The skies darken and rumble to the sounds of Mother Nature in heat while Big Brother TV suffers an anxiety attack. Lightning flares up while rain pounds down on the terminal tourists of a raging planet. Only the ice-cold veneer of a sculpted ceramic gives comfort to the terrorized tenant who sweats in sequestered silence while the sky falls down.

This title is also available on The World of George Kuchar.

About George Kuchar

George Kuchar ranks as one of the most exciting and prolific American independent film and videomakers. With his homemade Super 8 and 16mm potboilers and melodramas of the 1950s, 60s, and 70s, he became legendary as a distinctive and outrageous underground filmmaker whose work influenced many other artists, including Andy Warhol, John Waters, and David Lynch. After his 1980s transition to video, he remained a master of genre manipulation and subversion, creating hundreds of brilliantly edited, hilarious, observant, often diaristic videos with an 8mm camcorder, dime-store props, not-so-special effects, using friends as actors, and the “pageant that is life” as his studio.

In 1984 Kuchar received the Los Angeles Film Critics Award in the Experimental/Independent category. In 1992, he received the prestigious Maya Deren Award for Independent Film and Video Artists from the American Film Institute. In 1996 he received the Lifetime Achievement Award at the Chicago Underground Film Festival. He taught at the San Francisco Art Institute for forty years, where he made many videos in collaboration with his students.

"...The best for last, though: the filmmaker George Kuchar... When the day arrives — and it will — to appoint an official United States cultural ambassador to Outer Space, Mr. Kuchar is the obvious choice. I will say no more. See his films. He is beyond enigmatic. He is it. I salute him."

— Holland Cotter, Review of the Good Morning Midnight exhibition at Casey Kaplan Gallery, The New York Times, July 27th, 2007

All title descriptions by George Kuchar unless otherwise noted.

Also see:

George Kuchar: An Interview

The World of George Kuchar, DVD Box Set available for Institutional and Individual Purchase