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Mississippians

Dana Levy

2021 00:05:24 United StatesColorStereo16:9HD video

Description

"I brought live reptiles, birds of prey and exotic flowers to a very stereotyped and neglected section of the city of St. Louis, Missouri which suffers from from severe abandonment and despair, but also has many tranquil vacant lots where nature flourishes. I chose these birds of prey for their symbolic meaning- The bald eagle a symbol of the United States, hawks and owls are messengers.  But this is not a film about St. Louis, It's about an anonymous archetype more than a specific locale. St. Louis's social economical changes and decline are familiar in the United States.
 I wanted to create a fictional future where nature has taken over and humans are gone as a consequence of pollution, climate change, and social inequality. The soundtrack was created by recording musicians playing percussions and cello as they viewed the raw footage then mixed and edited with field recordings."

- Dana Levy

Cello: Yonatan Gutfeld
Percussions: Joseph Peppo Levy
Cinematographer: Stephen Greathouse

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This video was first exhibited in 2021 as a two channel installation. For information about recreating this installation please contact us.  Educational rentals and purchases of this title include both channels for classroom viewing. 

St. Louis's decline is mirrored by similar circumstances that may have led to the disappearance of Cahokia, A pre-columbian Mississippian city that was once the largest in the world, until after 300 years, it ceased to exist around 1350 CE. Just like the United States it too was a socially stratified society. Cahokia was located just across the Mississippi river from North St. Louis where Levy filmed, and inspired this work. The second screen informs the first and is to be viewed with headphones. It shows interviews conducted with past and current residents of North St Louis, who describe how the city once was and its decline, buildings that were important to their personal histories that were either abandoned or altogether demolished, the racism and inequality that led to the current situation, and also of the environmental benefits of nature growing unsupervised on these vacant lots in the midst of the city.

 

Dana Levy was born in Tel Aviv and lives and works in New York.

She was the 2019/2020 Freund Teaching Fellow at the Sam Fox School of Art in Washington University, St. Louis. She was the 2020 NYSCA/NYFA Artist Fellow in Digital/Electronic Arts from The New York Foundation for the Arts. Other awards include the 2017 City of Budapest talent Award, and the 2013 the Beatrice Kolliner Award from the Israel Museum.

In 2021 her solo exhibition opened at the Saint Louis Art Museum, other solo exhibitions include at Fridman Gallery NYC (2019), The Israel Museum Jerusalem (2015), Petach Tikva Museum of Art (2014), Center for Contemporary Art Tel Aviv (2012), Nicelle Beauchene Gallery NYC (2010), and more.
She has participated in group shows and screenings  including at Videonale at the Kunstmuseum in Bonn (2021), C24 gallery NYC (2019) Screen City Biennal Stavanger (2018), Kadist Gallery San Francisco (2017), Johannes Vogt Gallery NYC (2016), Fridman Gallery NY (2015) Biennial of Contemporary Art of Cartagena (2014), Wexner Center of Art (2012), The Bass Museum (2012), Tribeca Film Festival (2013), The Tel Aviv Museum (2016), Harn Museum of Art (2019), Museum of Contemporary Art Cleveland (2010), Tate London (2010), Invisible Exports NY (2010) and more.