Skip to main content

Sad Disco Fantasia

Steve Reinke

2001 00:24:00 United StatesEnglishColorStereo4:3Video
Tags:
Autobiography, Humor, LGBTQ

Description

“Living in Los Angeles is like being on vacation, or in a coma. I don’t really like it, but it’s so pleasant I don’t want to leave. I’ve only had one idea since I’ve been here and that was to video a cake in the rain in MacArthur Park. But it’s only rained once, briefly in the night, and I was asleep, and dreaming of snow.” —Steve Reinke

“Sad Disco Fantasia is Reinke’s episodic tour through the void of L.A., slips of pop culture, and Reinke’s own astringent self-regard. Despite the blasts of dry wit and the hopeful embrace of gay porn, this is a lament. What grounds the tape like a bass line is Reinke’s response to the death of his mother. What stops it cold is his tossed-off remark that this is ‘my last, my final video.’” —Cameron Bailey, “iMAGES: Reinke’s Final Cut,” NOW Toronto 20:32 (12-18 April 2001) 

About Steve Reinke

Steve Reinke is an artist and writer best known for his videos. His work is screened widely and is in several collections, including the Museum of Modern Art (New York), the Pompidou (Paris), and the National Gallery (Ottawa).  His tapes typically have diaristic or collage formats, and his autobiographical voice-overs share his desires and pop culture appraisals with endearing wit. 

Born in a village in northern Ontario, he is currently associate professor of Art Theory & Practice at Northwestern University. In the 1990's he produced the ambitious omnibus The Hundred Videos (1996), and a book of his scripts, Everybody Loves Nothing: Scripts 1997-2005 was published by Coach House (Toronto). He has also co-edited several books, including By the Skin of Their Tongues: Artist Video Scripts (co-edited with Nelson Henricks, 1997),  Lux: A Decade of Artists' Film and Video (with Tom Taylor, 2000), and The Sharpest Point: Animation at the End of Cinema (with Chris Gehman, 2005).

"Reinke is so skilled and at ease with the video medium that he seems to have no fear or hesitation addressing just about any topic that human beings might get tangled in, from sex and evermore bizarre rituals of attraction and betrayal through to some of the most frivolous but poignant obsessions and self-delusions that people indulge in to keep despair or boredom at bay."
--Ross Gibson, How Photographs Are Stored in the Brain, Remembrance and the Moving Image catalog (2003)