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Sea in the Blood

Richard Fung

2000 00:26:00 United StatesEnglishColorStereo4:3Video
Tags:
AIDS/HIV, Autobiography, Death and Dying, Expedition/Travel, Family, Health, Post-colonialism

Description

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips. The first is in 1962, when Richard went from Trinidad to England with Nan to see a famous hematologist interested in her unusual case. The second is in 1977 when Richard and Tim made the counterculture pilgrimage from Europe to Asia. The relationship with Tim blossomed, but Nan died before their return. The narrative of love and loss is set against a background of colonialism in the Caribbean and the reverberations of migration and political change.

"Sea in the Blood was to be a meditation on race, sexuality and disease, but after working with the material for three years, it was the emotional story that came through. It's hard to work with such personal material, but in the end the work takes on a life of its own. 'Richard' is a character. Because of the subject matter — disease and death — I wanted to avoid sentimentality. I'd like the audience to think as well as feel."

— Richard Fung

About Richard Fung

Richard Fung is a Toronto-based video artist, writer, theorist and educator. He holds a degree in cinema studies as well as an ME in sociology and cultural studies, both from the University of Toronto. He is Associate Professor in the Integrated Media program at the Ontario College of Art and Design. 

His work comprises of a series of challenging videos on subjects ranging from the role of the Asian male in gay pornography to colonialism, immigration, racism, homophobia, AIDS and his own family history. His tapes, which include My Mother’s Place (1990), Sea in the Blood (2000) and Uncomfortable (2005), have been widely screened and collected internationally, and have been broadcast in Canada and the United States.

His essays have been published in many journals and anthologies, and he is the co-author with Monika Kin Gagnon of 13: Conversations on Art and Cultural Race Politics (2002), recently updated and translated into French. Richard is a past Rockefeller Fellow at New York University and has received the Bell Canada Award for Lifetime Achievement in Video as well as the Toronto Arts Award for Media Art.

 Fung has always seen himself as much as an educator as an artist, and in Helen Lee’s essay ‘Dirty Dozen: Playing 12 Questions with Richard Fung’ from Like Mangoes in July: The Work of Richard Fung (Images Festival and Insomniac Press, 2002), Fung says he aims to produce work which is ‘pedagogical, but hopefully not pedantic’. Richard is a public intellectual who has pushed forward the debates about queer sexuality, Asian identity and the uneasy borderlands of culture and politics.