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Spell Reel

Filipa César

2017 01:36:00 Germany, Guinea, Guinea-BissauEnglishB&W and ColorStereo16:9HD video

Description

Spell Reel is an archive of film and audio material from Bissau, Guinea-Bissau. On the verge of complete ruin, the footage testifies to the birth of Guinean cinema as part of the decolonising vision of Amílcar Cabral, the liberation leader who was assassinated in 1973. In collaboration with the Guinean filmmakers Sana na N’Hada and Flora Gomes, as well as many others, Filipa César imagines a journey where this fragile matter from the past operates as a visionary prism of shrapnel with which to look through. Digitised in Berlin and screened at various locations — in what would come to resemble a transnational itinerant cinema — the archive convokes debates, storytelling and forecasts. From screenings in isolated villages in Guinea-Bissau to European capitals, the silent reels are now a place from which people may search for antidotes to a world in crisis.

"Spell Reel celebrates education, in the form of the mobile cinema tour, as avant-garde work, and César’s ambition and finesse in recovering a fragile artistic and social history proves she is an inheritor to the tradition explored in her film: art that furthers intellectual and political ideals for all."

— Sophie Cavoulacos, Assistant Curator, Department of Film, Museum of Modern Art, New York, 2017

About Filipa César

Filipa César is an artist and filmmaker interested in the fictional aspects of the documentary, the porous borders between cinema and its reception, and the politics and poetics inherent to the moving image and imaging technologies. Since 2011, she has been researching the origins of the cinema of the African Liberation Movement in Guinea Bissau as a laboratory of resistance to ruling epistemologies. The resulting body of work comprises 16mm films, digital archives, videos, seminars, screenings, publications, ongoing collaborations with artists, theorists, and activists, and is the basis for her Phd thesis at FCSH-New University of Lisbon. César’s genre-bending film and video work bridges contemporary and historical discourses, also apparent in her writings, such as her essay Meteorizations, published in the Third Text special issue: The Wretched Earth: Botanical Conflicts and Artistic Interventions, edited by Shela Sheik and Ros Gray.

César premiered her first feature-length essay film Spell Reel at the Forum section of the 67th Berlinale, 2017. Selected exhibitions and screenings have taken place at the 29th São Paulo Biennial (2010); Manifesta 8, Cartagena (2010); Haus der Kulturen der Welt, Berlin (2011-15); Jeu de Paume, Paris (2012); Khiasma, Paris (2011-2015); Kunstwerke, Berlin (2013); SAAVY Contemporary, Berlin (2014-15); Tensta Konsthall, Spånga (2015); Mumok, Vienna (2016); Contour 8 Biennial, Mechelen, Gasworks, London, MoMA, New York (2017); The Harvard Art Museums, Boston (2018); HKW, Berlin (2019).

See also: Filipa César: An Interview