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super-max

Jim Finn

2003 00:13:00 United StatesEnglishColorStereo4:3

Description

I drove around the U.S. filming these super maximum-security prison buildings the spring and summer after the World Trade Center bombing. I knew that counties within various states had been frantically outbidding each other to get these high-tech gulags to replace the farming and manufacturing jobs that have been lost over the last 25 years. The timing seemed right to remind everyone what we have been doing with our public funding and to draw parallels with the neo-liberal economic policies espoused with variations by the Reagan, Clinton and both Bush administrations. The audio tracks are mixed from correctional training videos, science fiction films, a radio call-in show, and the building of the St. Louis Gateway Arch, a public works project from the sixties.” -Jim Finn

Finn's chilling super-max is a tour of maximum security prisons shot from a moving car, their hulking forms framed by telephone poles and power lines that divide landscape and sky. The concluding voice-over, making reference to Lewis and Clark, implicitly equates the European occupation of this continent with imprisonment." -Fred Camper, Chicago Reader (28 March 2003)

About Jim Finn

"Steeped in the obsolete language of revolutionary art," The New York Times said Jim Finn's films "often play like unearthed artifacts from an alternate universe." His award-winning movies have been called "Utopian comedies" and "trompe l'oeil films". The trilogy of communist features is in the permanent collection of the MoMA, and he has had retrospectives in seven countries. His movies have screened widely at festivals like Sundance, Rotterdam, Sao Paulo, AFI and Edinburgh as well as museums and cinematheques.

He has been making films, videos, revolutionary needlepoint pillows and photographs for over a decade. His first feature film Interkosmos was called "a retro gust of communist utopianism" by the Village Voice and "charming and fantastic, so full of rare atmospheres" by Canadian filmmaker Guy Maddin. His second feature La Trinchera Luminosa del Presidente Gonzalo was put on the Village Voice's Top 10 Year in Experimental Film. And Variety called The Juche Idea, his film about a North Korean art residency, "brilliant" and said all three films "upturn notions of documentary and fiction, propaganda thought, reality and restaging, and even what an 'experimental film' actually is."

He is featured in a 2010 Phaidon Press book called Take 100β€”The Future of Film: 100 New Directors. He was born in St. Louis and teaches at Pratt Institute in Brooklyn.