There But For resembles a soap opera; its characters—a couple whose relationship has seen better days, a ball-and-jack playing adult/child, and a couple that comes to visit the family—are in the midst of their day-to-day lives (an imitation of life). The music was composed and performed live on the set as the play unfolded. There But For is a free-form chance operation within the defined boundaries of place (an apartment) and the assigned roles of the players: the mother (bitch), the father (jerk), their kid (retard), and their visitors. The players continually argue as they feel their way through this structure, where ambiguity is the form. The kid asks, “Is mediocrity its own reward?” Perhaps the clue for the viewer is in the tape’s title: There But For (the grace of God go I)."
There But For
Lawrence Weiner
1980 00:20:00 United StatesEnglishColor4:3VideoDescription
About Lawrence Weiner
Working in a wide variety of media, including video, film, books, audio tapes, sculpture, performance, installation, and graphic art, Lawrence Weiner consistently invokes social situations that elicit responses to issues of language, philosophy, theater, and art. Identified with conceptual art, Weiner is notable for his fervent desire to invent new forms and transformations. Unlike some conceptualists, Weiner does not shy away from materializing the art object—instead he tries to work across artistic conventions. A commitment to a democratic art, an art that adapts and changes form in response to cultural and social changes, is fundamental to all of his work. His videos stem from his preoccupation with the process or act of making art, with discourse surrounding art objects and the changing context of materials as they are used.