Logging and approximating a relationship between audio recordings of the artist and his father, and videos gathered of the landscapes they both separately traversed. The initial distance between the logger and the recordings, of recollections and of songs, new and traditional, narrows while the images become an expanding semblance of filial affect. Jáaji is a near translation for directly addressing a father in the Hočak language.

The Waiãpi videomaker Kasiripinã decides to show white people the documentation he did on his people in Amapo. He presents and comments on three celebrations that represent episodes of the myth-cycle of the creation of the universe. The theme of the Tamoko celebration is war, and it presents the death of a cannibal monster. In the second celebration, Pikyry, the dancers act out the spawning of fish. The last is the Turé, the dance of the flutes, in which the Waiãpi reenact the death of the tapir in honor of the creator, Janejar.

Directed by Kasiripinã Waiãpi.

The Waiãpi videomaker Kasiripinã decides to show white people the documentation he did on his people in Amapo. He presents and comments on three celebrations that represent episodes of the myth-cycle of the creation of the universe. The theme of the Tamoko celebration is war, and it presents the death of a cannibal monster. In the second celebration, Pikyry, the dancers act out the spawning of fish. The last is the Turé, the dance of the flutes, in which the Waiãpi reenact the death of the tapir in honor of the creator, Janejar.

Directed by Kasiripinã Waiãpi.

On the vast Kazakhstan Steppes, nine 16-year-olds prepare to graduate from the Akkol orphanage. Rockets launched overhead from the nearby Cosmodrome inspire their dreams as they write about and perform their imagined future-selves. Guided by the nomadic spirit and natural beauty of the Steppes, the teens explore questions of time and truth in relation to the challenging reality of their lives.

I arranged a visit to poet/novelist Kevin Killian’s South of Market apartment in San Francisco to shoot a portrait of him, and when I arrived he had a guest, poet Cedar Sigo. They had corresponded earlier, but were meeting for the first time, and Cedar agreed to participate in our video shoot. This is perhaps the least planned, most verité and documentary of the videos about writers so far. Our immediate plan was for Kevin to read one of Cedar’s poems and for Cedar to read one by Kevin.

The daily life of the Panará village during the peanut harvest, presented by a young teacher, a woman shaman and the village chief.

Direction and photography: Paturi and Komoi Panará

Editing: Leonardo Sette and Vincent Carelli

Production: Video in the Villages

An experimental documentary about resistance, balance and fame. Kings of the Sky follows tightrope artist Adil Hoxur as he and his troupe tour China’s Taklamakan desert amongst the Uyghurs, a Turkic Muslim people seeking religious and political autonomy.

Kuyenda N’kubvina looks at how thought and culture propagate in the slender nation of Malawi. Weaving our way through video halls, book stores, dance floors and radio stations, in cities and small villages, we meet Malawians who traffic in ideas, reflecting the rhythms of Malawian contemporary life. The video was instigated by the filmmaker’s relative ignorance about the people and culture of southeast Africa, and accompanies her as she seeks out individuals and infrastructures that channel and articulate Malawian identity.

For over 70 years, Colombia has been confronted with internal armed conflict. Over the years, the outlines of the conflict have grown indistinct. A climate of generalized violence has gradually settled over society as a whole.

Violence and barbarity have worked themselves into every aspect of daily life, and fine traces of it mark the streets. Through a multitude of these traces, perhaps the narrative of this hazy war will finally take a firmer shape. 

A series of unnatural deaths and departures (almost all, of men) disrupts the lives of nine families sharing an apartment building in Jerusalem.

The personal odyssey recorded in The Laughing Alligator combines methods of anthropological research with diaristic essay, mixing objective and subjective vision. Recorded while Downey and his family were living among the Yanomami people of Venezuela, this compelling series of anecdotes tracks his search for an indegenous cultural identity.

Laurie was inspired by Laurie Weeks’ uncanny ability to simultaneously embody her characters and write them from a clear distance. The text in question is just a few paragraphs from a draft of the novel Zipper Mouth, more than ten years in the making, and published by the Feminist Press.

In the early 1990s, I went to a reading by Leslie Scalapino at Intersection for the Arts in San Francisco. I could not understand the writing, which can seem difficult and unwieldy to a reader unaccustomed to language poetry, and understood less the more I tried. After a certain point in the reading I stopped trying to figure it out and I let the words seep in. My reward was an effortless understanding of how her poetry works.

"We are happy. (Silence.) What do we do now, now that we are happy?"

-- Samuel Beckett, Waiting for Godot

Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary. Follow the guru from his New York mansion to limousines in Houston and listen to his followers—celebrities and non-celebrities alike—extol his virtues. TVTV's creative use of graphics, live music, and wide-angle-lens shots to conveys the desperate efforts of these lost children to find a leader.

"If this guy is God, then this is the God the United States of America deserves." —Abbie Hoffman

LYNDALE is a story of shifting family dynamics, told through the relationship of two brothers. Shot on ten different video formats, this experimental documentary is both the story of a Chicago family, and a record of the digital revolution in the early 2000s. The piece takes place over a six-year period during which filmmakers Oli Rodriguez and Victoria Stob shared a house with Rodriguez’s brother, Jeff.

LYNDALE is a story of shifting family dynamics, told through the relationship of two brothers. Shot on ten different video formats, this experimental documentary is both the story of a Chicago family, and a record of the digital revolution in the early 2000s. The piece takes place over a six-year period during which filmmakers Oli Rodriguez and Victoria Stob shared a house with Rodriguez’s brother, Jeff.

This 12-minute video by Tom Palazzolo and Chicago writer Jack Helbig tells the story of the recently discovered Chicago street photographer Vivian Maier. Though she was unknown in her lifetime, her extensive body of work is rewriting the history of post-World War II American street photography. The video, told from the point of view of Maier herself, recounts her life and work, from her childhood in France to her move to NYC in 1951 and subsequent relocation to Chicago, where the majority of her work was done.

Focusing on the mentorship of Eiko and Koma with the young artists who study and work at the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia, Cambodian Stories evokes questions of tradition, innovation, and the role of the artist in fostering social change and discoveries of new ways to leap from the canvas to the stage. Eiko & Koma's collaboration hones in on these young painters' collective energy and explores the challenges they face pursuing artistic careers in a country with little opportunity.

From The Crystal Quilt performance, Suzanne Lacy, Phyllis Jane Rose, Nancy Dennis, Sage Cowles, Minneapolis, 1987.

After an all-night session of editing Free Society, Garrin headed home with video-8 camera in-hand, only to happen upon the Tompkins Square riots. As police tried to enforce a curfew aimed at removing homeless people from the park, Garrin began gathering footage of cops beating up protesters. He was then attacked by police himself, as the camera continued to roll. The footage was subsequently incorporated into Free Society, in which the military myth of "protect and serve" is dismantled by first-hand experience.

Using the opening of Godard's film Alphaville as a foundation, Lord constructs a vision of the evolving global city during the last years of the 20th Century. Structured as a series of repetitions, the montage of the changing city is offset by shots of corporate Silicon Valley facades. The result is a dialectical contrast between urban and suburban space, body and mind, chaos and order, and the postmodern and the modern. Shot in Hi-8 video in Tokyo, Fukuoka City, Mexico City, Rome, San Francisco, Naples, and Los Angeles.

As a verite documentation of the May 1, 1971 demonstration against the Vietnam War staged in Washington, D.C., Mayday Realtime presents a largely unedited flow of events from the point of view of participants on the street. Cort's camera captures the random, disorienting incidents that marked the day - demonstrators holding up traffic in the Capitol, skirmishes with police, on-the-scene interviews with onlookers. The camera impulsively responds to shouting and movement on the street.

As a verite documentation of the May 1, 1971 demonstration against the Vietnam War staged in Washington, D.C., Mayday Realtime presents a largely unedited flow of events from the point of view of participants on the street. Cort's camera captures the random, disorienting incidents that marked the day - demonstrators holding up traffic in the Capitol, skirmishes with police, on-the-scene interviews with onlookers. The camera impulsively responds to shouting and movement on the street.