Rosler identifies the totalitarian implications of an argument for torture, under certain circumstances, as it appears as a guest editorial in Newsweek magazine in 1982. Her critique is presented as a voiceover and a dizzying assemblage of radio and print media--articles on subjects ranging from human rights to unemployment and global economics. Implicating the U.S.

In turns funny, disturbing, and glisteningly sensual, small lies, Big Truth is a tape about love, relationships, and the joy and banality of sex in the late 20th Century. It also touches on such issues as morality, voyeurism, nature vs. culture, and power, as eight people read fragments from the testimony of William Jefferson Clinton and Monica S. Lewinsky, as published in the Starr Report.

For the past 20 years Alexis Smith's mixed media work has explored primal American myths: the open road, the bad/good guy/gal, the quest for romance, and the search for paradise. This portrait of the artist explores the roots of her thought and work, and was produced in conjunction with her exhibition at the Whitney Museum of American Art, held in November 1991.

Horizontes incorporates scenes from a popular Cuban soap opera with running commentary in the form of a propagandistic advertising text. Blumenthal examines media programming as presenting, through the filter of a generalized moralism, a reconstructed history that mirrors the values of the dominant class. The media both "collects and corrects public memory."

Available in Spanish and English.

This title is also available on Lyn Blumenthal Videoworks: Volume 1.

Executive Producer, Suzanne Lacy; Director, Steve Hirsch; Editor, Doug Gayeton.

From the performance Freeze Frame: Room for Living Room by Suzanne Lacy, Julia London, Ngoh Spencer, and Carol Leigh, San Francisco, 1982.

Focusing on early media reportage of the AIDS epidemic and the struggle for gay rights, some aspect of a shared lifestyle begins with the outraged response of the gay community to the 1982 Supreme Court ruling upholding a sodomy law in the State of Georgia, effectively banning gay sex. Reframing the debate from one of moral calumny to a matter of the Constitutional right to privacy, Bordowitz successfully portrays the complexity of issues surrounding the AIDS epidemic as it emerged in the early 1980s in this country, forceful

This tape grew out of my fascination with Ronald Reagan and his uncanny ability to demonstrate what I called the 'Signifiers of Americanism'. Through gesture and intonation, he seemed to suggest many of the virtues that Americans hold dear. Although not directly about Reagan, The Speech suggests some of these issues, while remaining purposely ambiguous. The tape is really a speech about speeches.

— Doug Hall

This title is also available on Presidents and Elections.

Best known for her drawings and prints, Nancy Spero (1926-2009) worked as an oil painter on both paper and canvas and with installations. As both artist and activist, Nancy Spero's career spanned fifty years. Spero was active in many radical groups including WAR (Women Artists and Revolution) and AIR (Artists in Residence), the first women’s cooperative gallery in New York. She was renowned for her continuous engagement with contemporary political, social, and cultur

Art Spiegelman was born and raised in New York, and began working as a cartoonist while still in High School. He attended the State University of New York in Binghamton, where he studied Philosophy. Spiegelman, who continued to work as a cartoonist, mainly in underground publications, throughout his schooling, has long been acknowledged as one of our era's foremost comic book artists. However, it was Maus, published in two volumes in 1986, that first brought his work to a mass audience. Maus tells the stories of a Jewish survivor of Nazi Germany and his son.

SPRING is a four minutes and fifty-six seconds experiment with psycho-optics and psychoacoustics to produce a field of moving images and sounds starring Ho Chi Minh, Occupy Wall Street actions and Crocus.

Note: This title is intended by the artist to be viewed in High Definition. While DVD format is available to enable accessibility, VDB recommends presentation on Blu-ray or HD digital file.

St. Marks: New Years Eve combines political commentary with non-narrative segments that celebrate the medium of video. The video’s tonal climax occurs at its beginning, in which a large crowd gathers at a live music event and stands to sing the national anthem with peace signs and middle fingers held high in the air above them.

Stasi is an audiovisual recall of the political and social substrates that sustain an actual system of images. Stasi is a recall of a system of images that, even now, dominates the global gaze of the world.

An investigative documentary on police brutality that uses the Rodney King incident as a springboard to analyze the inner workings of the LAPD under the leadership of former police chief, Daryl Gates. Containing hard-hitting footage of police violence, the tape also depicts communities working against the daily occupation of their neighborhoods. Through interviews with LAPD officers and supervisors, the tape reveals what life is like behind the “thin blue line” and documents a national crisis of violence.

Baby Bush meets Tubby-land. Completed in August 2001, this project was initially just a simple comic skewering of George W. Bush and his defense policies—but after September 11th, it took on a whole new meaning. State of the Union now has a surreal documentary quality that is genuinely disturbing.

On May 11 2004, Steve Kurtz phoned 911 to report Hope, his wife of 20 years, was unresponsive. When paramedics came to his house, one of them noticed that Kurtz had laboratory equipment, which he used in his art exhibits. The paramedics reported this to police and the FBI sealed off his house.

Authorities later said that Kurtz's wife had died of "heart failure," but he wasn't allowed to return to his home for two days while the FBI confiscated his equipment, and biological samples. They also carted off his books, personal papers and computer.

On May 11 2004, Steve Kurtz phoned 911 to report Hope, his wife of 20 years, was unresponsive. When paramedics came to his house, one of them noticed that Kurtz had laboratory equipment, which he used in his art exhibits. The paramedics reported this to police and the FBI sealed off his house.

Authorities later said that Kurtz's wife had died of "heart failure," but he wasn't allowed to return to his home for two days while the FBI confiscated his equipment, and biological samples. They also carted off his books, personal papers and computer.

In this irreverent and hilarious videotape, renowned street performer Stoney Burke leads us on a subversive tour of the 1992 Republican National Convention in Houston’s Astrodome. Burke disregards the traditional terms of “political debate” offered by the network news establishment, and zeroes in on the questions that never get asked, confronting such Republican luminaries as Oliver North, Neil Bush, Pat Robertson, Jack Kemp, Sen. Alfonse D’Amato, and Rush Limbaugh (among others), on issues that are glossed over during the convention.

They say there are only two stories in the world: man goes on a journey, and stranger comes to town.

Six people are interviewed anonymously about their experiences coming into the U.S. Each then designs a video game avatar who tells their story by proxy. Goss focuses on the questions and examinations used to establish identity at the border, and how these processes in turn affect one's own sense of self and view of the world.

Strike Anywhere is a video essay that takes as its point of departure Swedish "Match King" Ivar Kreuger, whose privatization of financial crisis management strategies bears a direct relation to late-20th Century policies implemented by the IMF and WTO. Between 1917 and 1932, Kreuger capitalized on shifts in global financial markets to control over 200 companies and establish matchstick monopolies in at least 34 countries. At the height of his success, Ivar Kreuger was worth approximately 30 million Swedish kronor (the equivalent of 100 billion USD today).

Strike Anywhere is a video essay that takes as its point of departure Swedish "Match King" Ivar Kreuger, whose privatization of financial crisis management strategies bears a direct relation to late-20th Century policies implemented by the IMF and WTO. Between 1917 and 1932, Kreuger capitalized on shifts in global financial markets to control over 200 companies and establish matchstick monopolies in at least 34 countries. At the height of his success, Ivar Kreuger was worth approximately 30 million Swedish kronor (the equivalent of 100 billion USD today).

A wistful film on the love of homeland.

Video artist Nurit Sharett recounts her childhood memories and converses with her Palestine-born parents who grew up in the British Mandate years.  They both took part in realizing the Zionist dream of establishing the State of Israel, a dream now shattered before their eyes.

The violent overreaction to 9/11 and to the revolutions of the 1960s cannot be explained only with fear and politics. Franz Hinkelammert, a German-born liberation theologian, economist and philosopher, brings religion front and center to the discussion in a unique way. The emptiness and senselessness felt by those at the margins of a free-market utopian ideology has been filled by an extreme millenarian Christianity and other religious fundamentalisms that justify murder and torture as preemptive self-defense.

John Tagg is a writer, educator, and a leading contributor to the development of art-historical and photographic theory, focusing on political analysis of institutionalized culture and interventions within it. He is a professor of art history at State University of New York-Binghamton and author of Grounds of Dispute: Art History, Cultural Politics and the Discursive Field (1992) and The Burden of Representation: Essays on Photographies and Histories (1988). Interview by James Hugunin.

A historical interview originally recorded in 1988.

Statement

A last stand for the silent guardians of the old order. Take It Down is a filmic day of reckoning for the Old Confederate South. What is up must come down, like the Confederate soldier monuments standing in court house squares across the South. At long last, a grand inversion! Solarized film makes positives bleed into negatives. The South is renewed.

This film looks to North Carolina to describe the cultural fissure that runs through the South, a legacy of the Civil War. In the context of the divisive Trump presidency and the increasing visibility of white supremacist activism, these Confederate memorials have become sites of conflicting politics and historical narratives. 

Historians agree that a majority of Confederate statues were erected as propaganda tools legitimizing racism in the era of Jim Crow laws. For example, “Silent Sam”, a statue depicted in the film, was erected on the quad of the University of North Carolina campus. In an act of civil disobedience in Fall 2018, students and protestors tore down the statue in a statement against white supremacist oppression.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride. They interview both tourists visiting the building, and activists who have come to see the lights. Ultimately, they question whether this gesture is adequate, or if there is still a way to go until equality is achieved.