“The tape ultimately addresses all the big questions — death, origin and family, religion — as well as the small discomforts of the body, only to reverse their order of importance.”

— Margaret Morse, Framework (Los Angeles Contemporary Exhibitions)

In a motel in El Reno, Oklahoma, George observes the weather and copes with leaking air conditioning, food shopping, loneliness, television, and eating, among other things.

Scenes from a vacation. Music comes on loud and clear and washes over a series of visual impressions of the land and the sky and the faulty plumbing that submerges porcelain bottoms in a sea of unmentionable froth.

This title is also available on The World of George Kuchar.

What Could Go Wrong depicts fire trucks, ambulances, fire alarms with sonic distress that document every current disaster….floods, fires, war, food scarcity and police torture are accompanied by Linda Mary Montano singing 7 ballads. The sappy positivity of the songs and the Vision of Mary bring a suggestion that hope is possible. This video is a study in contrasts and when the audience is invited to auditorially interact with it, the message is "action breeds healing" and if so "what could go right."

Why Not A Sparrow is about a girl who enters a fairy tale land where the distinction between human and other animal species is blurred. In this kingdom, survival and extinction are on the tip of every birds’ tongue.

"An Eco-Fable about a girl, a rare bird, who experiences the pleasures and perils of another animal kingdom."

— Big Muddy Film Festival, 2002

Through the floating garden, into the mountain of signs and chants, arise the path of the winged stone. A stone that used to be a fossil.

An experimental documentary video project about individuals who have been transformed from so called “ordinary” citizens into activists, Witness To The Future seeks connections that unite people of all cultures, communities, races, and economic classes as they struggle for environmental and social change.

“This work by John Smith looks down onto a busy Viennese intersection and a corner bakery. Constructed from hundreds of still images, it presents situations in a stilted motion, often with sinister undertones. Through this technique we're made aware of our intrinsic capacity for creating continuity, and fragments of narrative, from potentially (no doubt actually) unconnected events.”

--Mark Webber, London Film Festival (2003)

This is a rhythmic invocation of the ancestral fire, in which dazzling flames reanimate bones and natural elements. This is the shining of color.