African-American

Based on a photograph taken in the mid 1970s of two African Americans playing foosball.

This title is only available on Can You Move Like This: Black Fire.

In this interview, African American filmmaker and DJ Ephraim Asili (b. 1979) discusses his upbringing, education, and creative process. Born and raised around the city limit of Philadelphia, Asili’s childhood and adolescence were imbued with hip hop music, Hollywood movies and television.

“The video is an extension of Derrick’s project for Headmaster No. 8. The issue is thematically structured around the Village People, and he was given a cop-themed assignment. More specifically, he was asked to consider the importance of the uniform in relation to authority. At the time, the editors had no idea that Derrick would soon be involved in a late-night altercation with the Chicago PD after leaving a gay bar, or that he would reconnect with a boyhood friend, now a police officer, that he hadn’t seen in many years.

Ring attempts to exhibit the “sweet science” of boxing in an elegant way.

This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

Futures for Failures is a double narrative of failure: architectural and social. Archival footage from a demolition of the Pruitt-Igoe building in St. Louis manifests as the materialization of modernity’s failure. Meanwhile, an intimate voiceover recounts a moment of laughter erupting during a stranger’s funeral, staging anachronous conversation between the disappeared and the disappearing.

In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication. It is important that there exist people skilled in the use of the technological instruments of communication who will seek out the real truth behind the headlines and tell it for all to see, know, and hear.”

Playing Dead is a film about lying still to stay alive. A news reporter queries the survivor of a brutal attack.

This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

Meditation is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world. The character’s roles range from meditation guru to cultural commentator, and she speaks directly to questions of consciousness within the systems of labor, race, technology, and institutional failure. To the cognitive dissonance of Siri mishearing her speech, to the terror of (mis)representation, to the instinct to reconnect with nature.

Aquarius is a film about horoscopes and hope, and coping with everyday life.

This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

Two–Week Vacation depicts a segment of society whose preoccupation with work interrupts even their vacation.

Cast: Matilda Washington. Music: David Reid.

This title is only availalbe on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

In this 2004 interview, Kori Newkirk (b.1970) describes his lifelong apprehension of being rooted in any one place for too long. Asserting that the School of the Art Institute of Chicago was the fifth school he attended in four years, Newkirk begins by describing the fortuitousness of his relocation to Chicago following his expulsion from Cooper Union. Recounting how he fled from the fiber department in favor of painting, Newkirk details how it was a studio visit from Deborah Kass and an exchange program to England that crystallized his burgeoning ideas about “painting without making paintings.”

Based on a photograph taken in the mid 1970s of two African Americans playing foosball.

This title is only available on Can You Move Like This: Black Fire.

Lead is a tale of an early 20th Century Robin Hood, based on a story by James Williams, involving jumping trains and throwing coal off for needy Southerners.

Cast: Chris Barkley, Hassen Mahamud, Kenny West, James Williams. Cinematography: Jonathan Taee. Sound: Ayesha Ninan.

This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

In 1985 the great soprano Leontyne Price sang the title role in Verdi’s Aida as her farewell opera. After the ‘O patria mia’ aria, the audience breaks into a four-minute applause. Oh My Homeland is the third in a series of minimal single shot 16mm films. It’s a film about representation, art, and material exchange. It’s a film about endings. It’s a film about identity, love, power, patriotism and the transcendent potential of art through the viewing of a face receiving adoration.

Sportello Quattro, filmed during a residency at the American Academy in Rome, is about immigration, work and community among people of color in contemporary Rome, Italy.

Cast: Joseph Bayorha.

This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.

REVOLVER is a short film that weaves the perceptual phenomenon of pareidolia (a situation in which someone sees a pattern or image of something that does not exist) with an oral history narrated by a descendent of Exodusters. Nicodemus, Kansas (USA) was deemed a late 19th century refuge for Exodusters—Black people from the southern United States who fled violence and inequities following the Civil War. Guided by memory, history, and rumor of a Black utopia, REVOLVER proposes a psychogeographic history of place infused with visions and dreams.

The Diaspora Suite

Filmed on location in Harlem (NY) and Ethiopia, Forged Ways oscillates between the first person account of a filmmaker, a man navigating the streets of Harlem, and the day to day life in the cities and villages of Ethiopia.

Pat Ward Williams’s socially charged works confront issues of race, often dealing specifically with African American history and identity. Using a variety of photographic processes, video, audio tapes, assemblage and text, Williams layers meanings and images. Her subjects range from the autobiographical to the public, often combining documentary techniques with personal responses. “When I make photos about my family, I think my family is not a lot different than other peoples’ families, so that is a way people can access my work...

Dream Nightmare is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world. The character’s roles range from meditation guru to cultural commentator, and she speaks directly to questions of consciousness within the systems of labor, race, technology, and institutional failure. To the cognitive dissonance of Siri mishearing her speech, to the terror of (mis)representation, to the instinct to reconnect with nature.

Subtitled A Rebellion against the Commodity, this engaged reading of the urban black riots of the 1960s references Guy Debord’s Situationist text, “The Decline and Fall of the Spectacle-Commodity Economy,” Internationale Situationniste #10 (March 1966). Along with additional commentary adapted from Barbara Kruger and musicians Morrissey and Skinny Puppy, the text posits rioting as a refusal to participate in the logic of capital and an attempt to de-fetishize the commodity through theft and gift.

Tom Poole is an organizer of many things. Counting arts administrator, media facilitator, and activist among the many titles he has held over the years, Poole currently brings all these capacities to bear as the executive director of the Pittsburgh Community Television (PCTV) station. In his contribution to the On Art and Artists series, Poole discusses his early foray into media activism as a member of the video art collective Black Planet Productions.