Artist Spaces

This video presents a history of alternative spaces in New York City during the late 1960s and early 1970s, focusing on two galleries that no longer exist. The work produced in these two spaces forms the basis of the New Museum of Contemporary Art’s 1981 exhibition Alternatives in Retrospect: An Overview 1969-1975. Curator Jacki Apple, who produced the video, assembled documentation from the galleries and reconstructed artworks for the exhibition.

Too Many Things visits the world of objects — their accumulation and dispersal — and their creation of cummunities of curiosity.  The title is somewhat ironic.  My work has always fed on things as the symbolic and incidental expressions of human presence.  For a photographer, or a filmmaker, there can never be too many things; the camera likes to ferret them out and hang onto them, just as some people do.  "Piled-up structures of inference and implication," as Clifford Geertz described ethnography's places of study, have also been my sites of activity as an arti

If second lives have grown into the landscape of social network space and avatars engage a full range of human emotions and experience, it follows that they would eventually encounter existential questions. A plot of land is purchased in the online network of SecondLife and a simple questions is asked: Where do discarded 3D objects go and can we build a dumpster to accommodate them? To find out eteam set aside a year to let this virtual land use problem unfold and what is captured in Prim Limit is the lived experience of avatars managing and recording this dumpster.

“Nobody likes you if they think you’re rude- you better act the way you should.” But we didn’t.

Telling it the way it was lived, Susan Mogul’s short film captures the energy, passion and radical spirit of the Los Angeles Woman’s Building (1973-1991), a groundbreaking center for women’s culture.

In 1998 I made a sculpture of a decapitated head. I featured it in a photo and video. I thought of the head as a character whose adventures would be documented. The name O’Malley was inspired by Chicago’s Irish heritage (I was living in Chicago then). O’Malley’s Head Part 1 was a photo of the head placed on top of the garbage cans in the alley behind my apartment building. I lived right by an exit ramp from the Kennedy Expressway, one of the last before you reached downtown from O’Hare Airport. Sometimes people would exit there and dump things.

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections. The voice of a friendly narrator enlarges the image-objects with historical and social information, while a written text provides ironic commentary. “The term curator is derived from the Latin ‘curatus’ —one responsible for the care of souls.” The daughter represented in the famous Dorthea Lange photograph of the Migrant Mother recounts the circumstance surrounding the now-celebrated photograph and how it impacted her life.

In this interview, Phyllis Kornfeld, author of Cellblock Visions: Prison Art in America, describes her initial interest in working with prisoners in her native Oklahoma City, stemmed from an exploration of outsider artists. Detailing her first visit to a high security prison as a ‘mind blowing and breathtaking’ experience, Kornfeld discusses how she came to her realization that prisons are fertile environments for free form experimentation with the teaching process. She learned that through personalized art education, inmates could teach themselves to make positive contributions to society. - Kyle Riley

Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean. The video presents Cozier's witty and incisive drawings, installations and videos in the context of post-independence Trinidad with its oil-rich economy, complicated ethnic politics, and vibrant cultural forms.

The video content—a live-feed image processing tape—shows intellectual discussion among SAIC Video Area students and faculty members. Instead of being a prescriptive monologue from school to students, Phil sits among the crowd and moderates the session. The decentralized and non-hierarchical academic setting—students and faculty sitting on the floor and cushions in a circle—is typical of the ’70s. At times, students burst into laughter, dancing, and lounging on the floor, hence creating a laid-back environment.

Satoshi Uchiumi, Japanese abstract painter, believes that the beauty of painting lies within paint itself. He has pursued beauty by painting thousands of colored dots. He has also become known for his ability to highlight the relationship between the artwork, the exhibition space, and the viewer.

An ex-student of mine opens up in the privacy of her home and shows me her etchings (watercolors) as we talk of art and things that slip under the fabric of daily attire. - George Kuchar

tryphon: three sounds is a candid portrait of the artist Thomas H. Kapsalis (b.