The fourth collaboration between Jessie Mott and Steve Reinke continues its melancholic musings on desire and mourning, this time with more twerking. Hypnotic backgrounds and eccentric animals lend to its psychedelic children's cartoon vibe, and the signature Madonna and Stockhausen soundtrack enhances the desperation for paradise among those extra long tongues and snake-y bodies.
Philosophy
A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.
An ordinary living room with a green screen, TV, and domestic cat serves as the backdrop for this DIY introduction to experimental philosophy. The president of a company is considering a vice president's moneymaking scheme. He says, "Look, I know this program will harm the environment, but I don't care at all about that. All I care about is maximizing profits. So let's start the program." The company adopts the policy, and sure enough, the environment is harmed. Now consider a seemingly straightforward question: Did the chairman of the board harm the environment intentionally?
Two characters speak urgently to camera about their relationship with an intelligent substance they call ‘Animal Expanded’. The man has swallowed it, as he expands it impregnates his home, improving his family. He holds his five-year-old up to camera: “Look how her fibers are formatting - she is her very own accelerated portfolio!” The woman has refused – "it’s not alive in the right way". For this disobedience she is punished with Confusion Events. But in her studio she is building new weapons, bizarre kinetic sculptures that she believes will "Re-align the narrative centre".
Distracted Blueberry follows a performance art band through a series of poetic encounters. Masculine tropes are undone to form a relationship between male sexuality and the human death drive. The body, violence and humour are positioned in the larger context of nothingness and somethingness, bridging a tension between externalized anxieties and the terrors of nature. Evocative of inner emotional states, strange landscapes exist as reflections of our shared dreams and nightmares.
Viewer discretion advised
Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema. The sacred and contingent permanence of cinema. Part of the Hyperkinetic and Hauntology series.
An intrepid academic travels the world, asking people if it is OK for someone to stab a friend in order to test the sharpness of a knife. If one person says it's OK and another says it's not OK, can both respondents be right? This video is an illustration of a multi-layered experiment designed to test the claims of several traditional philosophers that non-experts (folk) tend to hold rigidly absolutist views of morality.
VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometimes what is seen is ineffable.”
Director and Editor: Cynthia Madansky
Cinematographer: Michele Paradisi
Performance: Joanne Burke
Voice: Livia Marques
Music: Zeena Parkins
In this interview, political and social theorist, Terry Eagleton (b. 1943), shares stories of his Irish upbringing and British education, and sums up his current engagement with art theory, leftist politics, and spirituality under capitalism. With reference to Henry James, Frederic Jameson, Christopher Hitchens, and Richard Dawkins, among others, this interview spans a vast landscape of literature and social theory.
A philosopher and intermedia artist, Adrian Piper focuses on xenophobia, racism, and racial stereotyping
“As a black woman who can 'pass' and a Professor of Philosophy who leads a double life as an avant-garde artist, Piper has understandably focused on self-analysis and social boundaries. Over the years her work in performance, texts, newspaper, unannounced street events, videos, and photographs has developed an increasingly politicized and universalized image of what the self can mean.”
Is Miley more or less happy than June Cleaver? Given very fragmentary information about the lives of two stereotypical figures with identical emotional states, people tend to give strangely asymmetrical evaluations of the two characters' propensity for happiness and unhappiness. An illustration of a controversial study called "The Ordinary Concept of Happiness (and Others Like It)".
While on tour for his new book Exo-Psychology: A Manual on The Use of the Nervous System According to the Instructions of the Manufacturer, Timothy Leary gives a lecture at the University of Illinois Circle Campus (now University of Illinois Chicago). At the start, Leary draws parallels from various cultures from human history and asserts that those who migrated and moved beyond their known environments, the restless and the visionaries, are the ones who advanced human civilization.