Cool sheets and warm male bodies ignite the screen with antics that go from hot pink to black and blue as they romp, stomp, spit and strut their "goods" before your eyes.
… Watch out – things get rough!
This title comprises Peek-A-Boo (2008), Litany of the Seven Kisses (2011), and Boy Toys (2000) which were compiled into this form by Mike Kuchar in 2022.
Sentences is a beguiling, hypnotic meditation on the poetics of space.
Two boys are drawn together like metal to a magnet and conduct a somewhat confusing — but utterly charming "pow-wow" where dreams and ideas get tossed around like baseballs and artistic aspiration explores like pop-corn on a sunny porch.
This title comprises Adam's Apple (2014) and Dreamsville (2014) which were compiled into this form by Mike Kuchar in 2022.
Out of the mouths of rural boys, finding the incomparable Mulla Nasrudin in Afghanistan.
A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals. Powered by the poetry of Lorca, Kipling, and Reeves, this impassioned lament for subjugated and slaughtered elephants earns its polemical stance—a broader relation to inhumanity—by force of its compelling subject matter.
Embark on an expressive excursion into the body of a young man who’s lips issue words from his soul. Hear his passionate heart-beat, and see the wounds inflicted by bitter "truths", – but notice too his eyes that sparkle with inner strength against the "pitfalls" in life. This movie will grab you and not let go.
Men asleep, a dream, play, a song; angel and snow, wings and flowers, money and trees; fast then slow, piano decays, laughter.
3 Peonies is a brief, poetic 16mm film of a simple sculptural action. What becomes apparent is the humor possible in material interactions and the tender and sometimes melodramatic symbolism of cut flowers. The reverence for beauty ends up pointing towards the abstract expressionism and color field painting of high modernism that, in many cases, eschewed the banality of such ‘natural’ beauty.
Lips that issue forth melodious vows. Warm skin on bedsheets stained with dreams. Faces crowned with halos that light a path to temples of the soul…..You will find it here in DREAMS and OMENS!
This title comprises Wishful Thinking (2015), Testimony (2013), and New Beginnings (2014) which were compiled into this form by Mike Kuchar in 2022.
Audacious romanticism displays gardens fueled by the human heart where feelings blossom amid leaf and brick.
Images of friends and landscapes are cut, fragmented, and reassembled on an overhead projector as hands guide their shape and construction in this film stemming from Hollis Frampton’s Nostalgia. The voice tells a story about a not too distant past, a not too distant ruin, with traces of nostalgia articulated in terms of lore; knowledge and memory passed down and shared not from wistful loss, but as a pastiche of rumination, reproduction, and creation.
“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general. Jump cuts and split screens dot the visual stream with home movie footage from the Arkestra in Egypt during the 1970s to the Arkestra of today led by Marshall Allen. Director Ephraim Asili wisely divides the 40 minutes into distinct chapters, illustrating each with band interviews, live footage, visuals of planets and NASA launches, and his voice quoting writings from Ra.
Cupid’s arrow pierces the heart of five individuals. You will see the arrow’s effect fleshed out before your eyes, and you will feel the searing heat that radiates from virile bodies infected by Cupid’s bow.
This title comprises The Season of Shadows and Flames (2018), Chromatic Effusion (2014), NightWars (2018), Testament (2012) and Street Meat (2018) which were compiled into this form by Mike Kuchar in 2022.
He is mute flesh that the stroking of fingers can bring to sing.
-- Mike Kuchar
Gray Hairs is a visual and aural poem to Man Ray, featuring close-up shots of the dog’s body and a soundtrack of panting, sniffing and licking.
Opening with jarring violence, Dani Leventhal's Tin Pressed proceeds to negotiate a balancing act between the bewildering tonal variances of daily life — with all of its unnameable and enchantingly fragmented specifics — and the gravitational urge to construct both private and shared narratives. The world discovered through these images revolves around multiple centers. The camera's odd equanimity feels both generous and dangerous. Leventhal's deft oscillation between elision and inclusion reveals a brief but vast taxonomy of beauty, peace, longing and terror.
As a "Post-Mexican” performance artist operating out of the US for over 20 years, one of my conceptual obsessions has been to constantly reposition myself within the hegemonic maps. Whether this map is the Americas, the larger cartography of art, or my personal biography, one of my jobs has been to move around, cross dangerous borders, disappear and reappear somewhere else, and in the process create "imaginary cartographies” capable of containing the complexities of my multiple and ever-changing identities, voices, communities and performative bodies.
A portrait of New York author Joe Westmoreland. Joe is reading from his short story Sweet Baby Joe. This video was shot in 2014 in Joe's Chelsea loft, and the reading was recorded in 2016.
…..Listen!….. hear the words from warm skin…..’words’ that whisper….’words’ that shout.
A thoughtful mind travels in the landscape of moods…. This internal realm has ‘paths’ with ‘dead ends’ and intuitive ‘turns’ that guide the sleepless pilgrim toward better, brighter horizons, or deep pits of despair.
….come along to see and hear the WORDS!
This sun-drenched meditation contemplates on a youth's journey towards self discovery and his role in a new age.
Poet Leticia Plotkin's final poem, intended to praise the ancient deities who control one's fate, turns instead into a bitter damnation scribbled in venom.
Peter Schjeldahl (b.1942) began writing his “poetical criticism” for Tom Hess at ArtNews in the mid 1960s. He has since written for both popular and specialized publications including The New York Times, Art in America, and The Village Voice, among others. In this interview from 1982, Schjeldahl discusses the critic’s relationship to the artist, the audience, artwork, and the professional community of art critics. He also reads some of his own poetry.Currently, Schjeldahl writes for The New Yorker and various art journals.
A young man of the "Modern Age" ponders sits alone to ponder "prehistoric life" and discovers that he has fine-tuned those primitive instincts in the Times he now lives. This is "food for thought", heated, stirred and serve
In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others. The title is taken from Aleister Crowley’s 1918 translation of the Tao Te Ching.
Camera, Edit, Sound Design: Deborah Stratman
Music: Eliane Radigue
Fluid Frontiers is the fifth and final film in the series entitled The Diaspora Suite, exploring Asili’s personal relationship to the African Diaspora. Shot along the Detroit River, Fluid Frontiers explores the relationship between concepts of resistance and liberation, exemplified by the Underground Railroad, Broadside Press, and artworks of local Detroit Artists.
