Religion/Spirituality

This is a rhythmic invocation of the ancestral fire, in which dazzling flames reanimate bones and natural elements. This is the shining of color.

By asking a group of space physicists the unanswerable, Semiconductor reveal the hidden motivations driving scientists to the outer limits of human knowledge. In an attempt to find meaning within the question, they open a Pandora's Box of limitations within science itself, revealing their own philosophical confines. Issues of faith, medicine and the laws of matter are raised to illustrate the infinitely complex universe we live in.

This is the invocation to the ancestral god of the underworld, the ancient annihilator, which preserves the ritual inertia of the bones and stones.

Part of paraconsistent sequence series and the hauntology series.

Set between Swaziland and South Africa, in a region still struggling with the divisions produced by an apartheid government, Greetings to the Ancestors documents the dream lives of the territory’s inhabitants as the borders of consciousness dissolve and expand. Equal parts documentary, ethnography and dream cinema, herein is a world whose borders are constantly dematerializing.

Part of paraconsistent sequence series and the hauntology series.

A brief glimpse into the cycles of Coyolxauhqui, the moon goddess, whose cycles used to be a dance. A fast-paced jazz soundtrack accompanies the quick, darting movements of the moon.

“Trypps #7 (Badlands) charts, through an intimate long-take, a young woman's LSD trip in the Badlands National Park, before descending into a psychedelic, formal abstraction of the expansive desert landscape. Concerned with notions of the romantic sublime, phenomenological experience, and secular spiritualism, the work continues Russell's unique investigation into the possibilities of cinema as a site for transcendence.”

-- Michael Green, Museum of Contemporary Art, Chicago

In a guided meditation progress is posed as a godly icon for worship. The inseparability of the human labor-spirit connection is probed. On-screen text cites The Millennial Project: Colonizing the Galaxy in Eight Easy Steps, a 1998 book by Marshall T. Savage.​

A high-pitched melodrama featuring the noise saturated spiritual journey of a vegetarian youth embroiled in big city shenanigans and occult extravaganzas. Along the way we meet a crippled and lovely conservationist, fiery latin lovers, a Loch Ness monster and a wide assortment of characters from the gutter and the galaxy. There is a seance and a seduction at Castle Kebrina along with a glimpse of Armageddon and a repetitive message from the future that booms new age nuances into the snap, crackle and pop stew.

Two guys with their heads in the clouds and their feet in the mud of the world, can not be Angels until their earthbound urges are tamed. Despite the overwhelming odds against this, the handsome, hot blooded boys are determined to earn their 'halos' and win their heavenly 'wings'.

Polished obsidian mirrors, tezcatl, were once used in ancient Mexico for divination, to traverse into the worlds of the gods and ancestors.

Through the obsidian mirror, the solar and lunar ritual used to be a celestial dance. In Ritual, suns and moons whirl around, glowing brighter as their paths cross.

The personal odyssey recorded in The Laughing Alligator combines methods of anthropological research with diaristic essay, mixing objective and subjective vision. Recorded while Downey and his family were living among the Yanomami people of Venezuela, this compelling series of anecdotes tracks his search for an indegenous cultural identity.

This title is only available on Kip Fulbeck Selected Videos: Volume One.

A young man recovering from emotional wounds, defiantly re-enters the outside world that welcomes his return with all its abundant miracles.

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling. In the presence of the image these audiovisual crowds become an affected body, assaulted by entropy. A face exhausted and reanimated by the continuous sound trance that traverses the battlefield. Faces for an eye that would not need to see.

Combining collage and animation with an Asian-influenced soundtrack, images of women dancing sensually and devotional imagery, Matsushima Ondo compares religious devotion with sexual representation. The viewer is invited to make connections and recognize the irony in some of the similarities.

This is the hauntological image of the sacred Mesoamerican snake. The contemporary flickering of his shamanic presence. Part of the Hauntology series.

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals. Powered by the poetry of Lorca, Kipling, and Reeves, this impassioned lament for subjugated and slaughtered elephants earns its polemical stance—a broader relation to inhumanity—by force of its compelling subject matter.

There is no need to "sin" because Hell is here, just go to the window and peek out…. It’s next door and is on display in this movie.

… See the poet tumble down a flight of stairs as he avoids the clutches of a behemoth babe who practices witchcraft and carries plastic flowers.

This video uses a yoga performance by Barbara Breder to explore the masks of life and the dance of death.

These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence. Here our point of view sparkles under the spell and trance of things gathered, fallen, yielding, pluvial, Mesoamerican wind, goddess breath, breeze of sticks. percussive woods.

A minister recounts the perceived catastrophe that is butt sex. Pegging ensues.

This title is also available on Chicago Sex Change: 2002-2008, A collection of Minax's early videos that together create a punk-documentary tapestry of young queer life in Chicago in the early 2000s.

A documentation of a performance/installation. Guillermo Gómez-Peña and Roberto Sifuentes created a fictional religion based on inter-cultural confessions. Exhibiting themselves in Plexiglas boxes as "end-of-the-century saints", the two performers hear the confessions of audience members willing to reveal their intercultural fears and desires to the saints.

Behind the yellow gates is a realm that sparkles like diamonds under a desert sun. It is a realm ablaze with outrageous flowers, fragrant and poisonous… A realm populated by bare skin scared by flashing swords and marked with stone idols… It is that subterranean consciousness; a land of Mind-in-Time that sends unholy incense up toward Heaven.