come lontano (How Very Far)

come lontano is a perverse historical romance in which two lives are exposed, inter-mixed, doused with sentiment, and — hopefully — redeemed. The work revolves around a central ‘couple’ — Pier Paolo Pasolini and Maria Callas. There is a third main character, an ambiguous villain made of steel, glass and rubber. Each member of our central couple has her/his own external distractions which impinge — to varying degrees — on their brief, ecstatic encounter. This encounter was in fact a cinematic collaboration; it’s product the film Medea (1969).

come lontano is a formal experiment in which cinematic tropes serve as organizing devices for a work which anxiously seeks to distinguish itself from post-modern precedent. It hates with all its heart the notion of appropriation. It prefers theft, seduction, and passion — even if the theft is aggravated, the seduction botched, the passion unrequited. One might view the come lontano as a meager analog to Pasolini’s masterpiece, Salo, in which the pleasures of the masters — in this case the filmmaker — are taken to monstrous extremes for which no apology is offered, no acquittal sought.

come lontano is a heartfelt homage to two singular artists whose utterly different lives, personas, and politics intersected briefly in the production of one radiant film, leaving them forever changed.

— Iceberg Projects, 2010