"The Camel with Window Memory piece was made one weekend in the early '80's.

"This is the first of a set of pieces that involve combining a series of electronic video process recordings, musics, texts and appropriated materials.

Most of TVTV’s work takes place in the city, at the center of some pop culture event.

“I may have to get a back up career.” I mull over what I might do if I don’t make it as an artist. What if I lose my eyes?

“I thought perhaps you’d like to see a demonstration of the new massage chair that we just got in. It — the reason for its — it looks revolutionary, it doesn’t look really like a typical massage…

Addressing the camera, Segalove confesses to plagarizing her 5th grade report, The Story of Coal.

Using the first color video camera, the artist questions where the devil might be hiding, and then takes a nighttime swim.

“Video is a fugitive medium,” said Getty Research Institute’s Glenn R. Phillips, and he should know.

The five videos featured here investigate video as a tool for storytelling and the construction of alternate identities.

Ana Mendieta performs a kiss in Old Man's Creek with another performer.

The performer interprets a video demonstration of a series of poses with mirrors, not unlike Breder's Bod/Sculpture photo series, but this time in a studio.

Breder used Stavros Deligiorgis’s encyclopedic ability to make associations as an element in this video art and performances, providing a kind of intellectual running commentary in works such as…