This horror picture is a sequel to THE KISS OF FRANKENSTEIN (a one act play I wrote a few years ago which was performed by my graduate students at the San Francisco Art Institute).

Poet Leticia Plotkin's final poem, intended to praise the ancient deities who control one's fate, turns instead into a bitter damnation scribbled in venom.

This time, the call of the west sends me packing to Oregon, California and Arizona. You too can experience the dizzy delights of a whirlwind tour and witness wonders seen through the savage eye of a Sony camcorder.

A club for misfits who descend into a psychedelic underworld.  Made at the San Francisco Art Institute.

—Mike Kuchar

This wonderful and wide-ranging saga of New Age sensibilities in conflict with down-and-dirty urges takes the viewer on a roller coaster ride into the freak show world of actors and actresses in need of adequate direction.

A California Christmas season ushers in an array of holiday visuals designed to feed the hunger of soiled souls in search of truffle filled delights.

A tribute to people everywhere who spread their glorious visions on canvases both large and small, beaded or lenticular, glossy or matt finished.

Solstice is a music video illustrating the feelings inspired by this holiday song written by a young man I met in Atlanta, Georgia, Andy Ditzler.

George Kuchar has been invited to Francis Ford Coppola’s vineyard for a large family picnic. Walking around the property with a friend, the two look on as a team of workers picks grapes for winemaking.

A reflection on the deep and the creatures that attempt to fathom its resources (such as baked salmon and rubbery crocodile meat).

This is sort of an Easter holiday affair as it has bunny images in it, plus the finale was shot on an Easter Sunday visit to a friend’s gallery.

Making art and movies becomes the overall thrust of this foray into hives of humming wanna-bees being all that they can be thanks to the magic of chalk and cinema.