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Boy/Analysis: An Abridgement of Melanie Klein's "Narrative of a Child Analysis"

Steve Reinke

2008 00:05:26 United StatesEnglishColorStereo4:3DV video

Description

"The content of the rogue computer animation Boy/Analysis is perfectly illustrated by the integral title, namely, a drastic abbreviation of Melanie Klein's 1961 key study on child psychology. The initial 93 sessions the psychoanalyst booked with a ten-year-old boy, are reduced down to 16 by Reinke, and thoroughly illuminated. Tumbling around, appearing and disappearing against a black background, are text fragments. A score from Benjamin Britten orchestrates this semantic ballet in which the most arbitrary associations can be made. Colour illustrations, a copy of a drawing of the child that was recorded as an appendix in Klein's book, and comparable naive sketches that Reinke received from artist Emily Vey Duke, follow as coda.

Seldom did Reinke--always working with archival material, found footage, or his own memories--go so far with his irony as to instill new life into dead material. The destabilising of the individual, one of his fixed points of interest, rises to the top here with an unsurreptitious lightness."
--Argos Centre for Art & Media Catalog

About Steve Reinke

Steve Reinke is an artist and writer best known for his videos. His work is screened widely and is in several collections, including the Museum of Modern Art (New York), the Pompidou (Paris), and the National Gallery (Ottawa).  His tapes typically have diaristic or collage formats, and his autobiographical voice-overs share his desires and pop culture appraisals with endearing wit. 

Born in a village in northern Ontario, he is currently associate professor of Art Theory & Practice at Northwestern University. In the 1990's he produced the ambitious omnibus The Hundred Videos (1996), and a book of his scripts, Everybody Loves Nothing: Scripts 1997-2005 was published by Coach House (Toronto). He has also co-edited several books, including By the Skin of Their Tongues: Artist Video Scripts (co-edited with Nelson Henricks, 1997),  Lux: A Decade of Artists' Film and Video (with Tom Taylor, 2000), and The Sharpest Point: Animation at the End of Cinema (with Chris Gehman, 2005).

"Reinke is so skilled and at ease with the video medium that he seems to have no fear or hesitation addressing just about any topic that human beings might get tangled in, from sex and evermore bizarre rituals of attraction and betrayal through to some of the most frivolous but poignant obsessions and self-delusions that people indulge in to keep despair or boredom at bay."
--Ross Gibson, How Photographs Are Stored in the Brain, Remembrance and the Moving Image catalog (2003)