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The Juche Idea

Jim Finn

2008 01:02:00 United StatesEnglishB&W and ColorStereo16:9HD video

Description

In the late 1960s Kim Jong Il guaranteed his succession as the Dear Leader of North Korea by adapting his father's Juche (pronounced choo-CHAY) philosophy to propaganda, film and art. Translated as self-reliance, Juche is a hybrid of Confucian and authoritarian Stalinist Pseudo-socialism. The film is about a South Korean video artist who comes to a North Korean art residency to help bring Juche cinema into the 21st Century. Inspired by the real-life story of the South Korean director kidnapped in the '70s to invigorate the North Korean film industry, the film follows Yoon Jung Lee, a young video artist invited to work at a Juche art residency on a North Korean collective farm. The story is told through the films she made at the residency as well as interviews with a Bulgarian filmmaker and even a brief sci-fi movie.

About Jim Finn

"Steeped in the obsolete language of revolutionary art," The New York Times said Jim Finn's films "often play like unearthed artifacts from an alternate universe." His award-winning movies have been called "Utopian comedies" and "trompe l'oeil films". The trilogy of communist features is in the permanent collection of the MoMA, and he has had retrospectives in seven countries. His movies have screened widely at festivals like Sundance, Rotterdam, Sao Paulo, AFI and Edinburgh as well as museums and cinematheques.

He has been making films, videos, revolutionary needlepoint pillows and photographs for over a decade. His first feature film Interkosmos was called "a retro gust of communist utopianism" by the Village Voice and "charming and fantastic, so full of rare atmospheres" by Canadian filmmaker Guy Maddin. His second feature La Trinchera Luminosa del Presidente Gonzalo was put on the Village Voice's Top 10 Year in Experimental Film. And Variety called The Juche Idea, his film about a North Korean art residency, "brilliant" and said all three films "upturn notions of documentary and fiction, propaganda thought, reality and restaging, and even what an 'experimental film' actually is."

He is featured in a 2010 Phaidon Press book called Take 100—The Future of Film: 100 New Directors. He was born in St. Louis and teaches at Pratt Institute in Brooklyn.