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a little girl dreams of a new pluralism meanwhile the old war continues

Les LeVeque

2009 01:34:00 United StatesEnglishB&WStereo4:3

Description

a little girl dreams of a new pluralism meanwhile the old war continues V.1  2009, 67:00

a little girl dreams of a new pluralism meanwhile the old war continues is a feature length hallucinatory re-edit of Wee Willie Winkie, the 1937 film based on a Rudyard Kipling story directed by John Ford and starring a young Shirley Temple and Cesar Romero as Khoda Khan. Set in Northern India in 1897 during the British occupation little Shirley brings peace between the warring Nationalist Khan and the British occupiers. The re-editing structure moves the film to the perceptual edge of coherency. Doubled images dance with each other while words emerge from a dialog of babble and bag pipes.

a little girl dreams of a new plurarilsm meanwhile the old war continues V.2   2009, 67:00

Throughout V.2 a crawling text taken from The Social Basis of The Third Universal Theory by Mu'ammar Al-Qadhafi performs a discursive visual mash up of Ford's colonialist narrative with Al-Qadhafi's nationalist manifesto in pursuit of the Bengali poet Rabindranath Tagore's idea of "piercing the veil of the real."

"... we need to infuse a plurality into the word 'imagination' itself to make it usefully global. To bring heterogeneous practices of seeing under the jurisdiction of this one European word 'imagination.' I further want to suggest, would also require us to think of the word 'political' as referring to a field of activities irreducibly plural." -- Dipesh Chakrabarity, Nation and Imagination: Training the Eye in Bengali Modernity

Note: Version 1 and Version 2 are packaged together as a 2-disk or 2-tape purchase or rental."

About Les LeVeque

Les LeVeque is an artist who works with digital and analog electronic technology. His projects include single and multi-channel videos and video/computer-based installations. His projects have been exhibited and screened internationally. His work is also represented by Kerry Schuss Gallery in New York City.

"In the work of Les LeVeque we encounter insights born — not only the formal strategies deployed, (condensation, expansion, reversal, mirroring...) — but of the ecstatic destruction of the reified "realities" of the consciousness industries, the purveyors of the spectacle. They remind us — and even now we are in need of that reminder — that these "realities," presented as eternal, are in fact shallow pliable, not fixed. They are subject to investigation; they may be reconfigured as games in which we are in control, where the terrors and seductions to which they subject us in their unilateral discourse may be altered according to our will, for our pleasure and amusement, for our provocation, for increasing our understanding of the machines of consciousness that process us. They are important viewing, and they are considerable achievements. They remind us that the insights and efforts of a single individual can be deployed via computational means to wreak havoc with the massively and expensively constructed tissue of lies that envelope us. And just as important: they are smart and they are fun."

— Keith Sandborn, January 15th, 2010