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A.R.M. Around Moscow

Jeanne C. Finley

1994 00:59:07 Russia, United StatesEnglishColorMono4:3Video

Description

A.R.M. Around Moscow documents particpants in A.R.M. (American-Russian Matchmaking) to explore the relationship of personal power to domestic identity, and economic and political structure. Finley and Stoeltje followed 21 American men as they travelled to Russia to meet 500 local women. Each man was provided with a car, driver, translator, apartment, and meals for a "14-day tour of Russia's most beautiful and highly-educated women" at the cost of about $4,700. From the moment of their anxious arrival at the Moscow airport, and throughout their dances, dates, and tearful departures from their newly acquired fiancees, these American men repeatedly disparaged American women as "too feminist," "demanding," and most importantly, "lacking in traditional family values. The Russian women, exhausted from balancing their careers and domestic responsibilities, look to these men as a possible hope for a better life and mutual love.

“At its heart, A.R.M. Around Moscow is about a new U.S. export, the feminist backlash. Whereas the Russian women yearn for liberation from an uncertain future, the American men look to a past where they were armed for domination.”

—Steve Seid, American Cultures (Berkeley: Pacific Film Archives, 1994)

About Jeanne C. Finley

Jeanne C. Finley is a media artist who works in experimental and documentary forms including film, video, photography, installation, internet, and site specific public works. Her work has been exhibited in international institutions including the Guggenheim Museum, SF and NY Museum of Modern Art, Whitney Museum and the George Pompidou Center. She has been the recipient of many grants including a Rockefeller Media Arts Fellowship, Guggenheim Fellowship, Creative Capital Foundation, Cal Arts/Alpert Award, National Endowment for the Arts Fellowships, and the Phelan Award.

Since 1989 she has worked in collaboration with John Muse on many installation and video projects including Flatland, 2007, Clockwork, 2006, and Catapult, 2005. Finley was an Artist-in-Residence at the Camargo Foundation in Cassis France In 2008 and The Headlands center for the arts in 2005. In 2001 she received an Arts-Link fellowship to Sarajevo to create a film and website with Bosnian media artists. During 1990 Finley received a Fulbright Fellowship to Yugoslavia where she directed programs for Radio/TV Belgrade. In 1994 she was an Artist-in-Residence in Istanbul, Turkey through a grant from the Lila Wallace Readers Digest Foundation.

Finley’s film and video credits include: Lost, 2006, Loss Prevention, 2000, O Night Without Objects, a Trilogy, 1998, A.R.M. Around Moscow, 1993, Involuntary Conversion, 1991 and Nomads at the 25 Door, 1991. These tapes have won awards at international festivals such as the San Francisco, Atlanta, Berlin Video Festival, Toronto, and World Wide Video Festival. Finley is a Professor of Media Studies at the California College of the Arts and currently lives in San Francisco with her husband, daughter and son. Her gallery work is represented by the Patricia Sweetow Gallery and her films are distributed by Video Data Bank, Women Make Movies and Electronic Arts Intermix.