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Doublecross

Lyn Blumenthal

1985 00:08:00 United StatesEnglishColor

Description

Blumenthal constructs a loose narrative around the sexual evolution of a woman (played by Yvonne Rainer) through a stunning collage of images appropriated from TV and film. Certain images come to dominate this effusive stream—tall buildings, sex scenes, an Elvis movie, the courtroom, fireworks. Doublecross pits the indeterminate, disruptive power of the erotic against the rigid, normalizing structures of family, law, marriage, popular culture, movies, and music—societal institutions that codify sexual relations. The "doublecross" is that in a society that equates sex with pleasure, the definition of what is permissible and what pleasures are off limits, catches individuals in a double bind of sanctioned pleasures.

Daughter: “What do you and Daddy talk about when I’m not around?” Mother: ”Oh, I don’t know—everything.” Daughter: “You do a lot of laughing... I hear you sometimes.” Mother: ”You shouldn’t be listening.”

About Lyn Blumenthal

Lyn Blumenthal forged new directions and objectives for the field of independent video—not only creating important video pieces, but also envisioning alternative video as a critical voice within the culture, capable of exposing the numerous foibles and blind spots of mainstream media. Committed to the application of feminist theory to video practice, Blumenthal’s early ’80s art tapes investigate issues of women’s identity and sexuality as a crisis of representation. Her tapes weave together stunning visuals and theoretical analysis, most with an incisive humor that tears away the veil from cultural institutions such as television and the family.

Blumenthal was a founding co-director of the Video Data Bank at the School of the Art Institute of Chicago.

"The world is divided between 'his' culture and 'her' nature. My own resistance to this demands that I am forever dodging his projects of representation, of reproduction, of his grasp. That this resistance should all too often take the form of a death struggle between two consciousnesses does not alter the fact that at stake here, somewhere, evermore insistent in its deathly hauteur, is the risk that the subject as self will crumble away. What if the 'object' started to speak?"
—Lyn Blumenthal