Video artist meets a handsome and enigmatic Marlboro Man; video artist gets a sexually transmitted disease. In a wry and pointed work that’s part Ibsen and part Danielle Steele, Vanalyne Green reworks the sex-education film to take a critical look at cherished stereotypes about romance, the American West, and cowboys. Expanding on a body of work that investigates the idea that public spaces are gendered, Green revisits the myth of the rugged outdoors, and the West will never be the same. By combining elements of silent movies and classic Westerns, the director weaves an hysterically sad tale of purity and contamination in an hysterically funny way.
Saddle Sores
Vanalyne Green
1999 00:20:00 United StatesEnglishColorMono4:3Description
About Vanalyne Green
Vanalyne Green is best known for work that appropriates the conventions of various genres to examine hierarchies of meaning where sex and privilege cross paths. Her work playfully and bitterly examines the paradoxes of American citizenship within such social practices as addiction, sports, sexuality, and, most recently, prayer.
Green's videos have shown at the Museum of Modern Art, the Whitney Museum of American Art, and the Videotheque de Paris, among many other venues. She has received a Guggenheim Foundation fellowship, as well as grants from Creative Capital, the Jerome Foundation, the Richard H. Driehaus Foundation, the N.E.A., and a Prix de Rome. Publications by and about, and interviews with Green can be found in Performance Artists Talking in the Eighties and Women of Vision, in addition to M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism.
Vanalyne Green is Chair in Undergraduate Fine Art at the Art Center College of Design in Pasadena, California. She also has taught at the University of Leeds in England, School of the Art Institute of Chicago, Temple University, and the Ecole Nationale des Beaux-Arts in Paris.