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Tom

Mike Hoolboom

2002 00:53:00 United StatesEnglishColorStereo4:3Video

Description

A cinematic firestorm of found footage and pilfered Hollywood images, Mike Hoolboom’s hallucinatory Tom – described by the filmmaker as, "Cinema as déjà vu, or déjà voodoo" – pays mesmerizing experimental tribute to the life and work of friend and fellow avant-gardist Tom Chomont, and was selected by a national panel of film critics as one of Canada’s Top Ten of 2002.

"Clips from home movies, mainstream Hollywood cinema and archival films meld seamlessly with new material to drive this most unusual of biopics. The appropriated images – familiar, yet estranged from their original context – are repositioned to illustrate the story of Tom’s life. Scenes stream past, decades roll by and hundreds of films collide in a hypnotic rush. Chomont, a notorious video artist and key member of the New York underground, now battles Parkinson’s disease and AIDS. Against the backdrop of New York City, this raconteur extraordinaire relates stories of infanticide, a mobster’s love, incest, S&M, fetishism and a rare white light which he imagines as both the beginning and the end of all life"

— Liz Czach, Toronto International Film Festival

"A dazzling experimental documentary... With this extraordinary portrait, Hoolboom creates a different kind of biography film."

— Diane Burgess, Vancouver International Film Festival

About Mike Hoolboom

Mike Hoolboom is a Canadian artist working in film and video. He has made twenty films and videos which have appeared in over four hundred festivals, garnering thirty awards, including four awards in Oberhausen, a Golden Leopard at Locarno, and he has twice won the award for the best Canadian short at the Toronto International Festival. He has been granted two lifetime achievement awards, the first from the city of Toronto, and the second from the Mediawave Festival in Hungary.

He has enjoyed retrospectives of his work at the Images Festival (Toronto), Visions du Reel (Switzerland), Cork International Festival (Ireland), Cinema de Balie (Amsterdam), Mediawave Festival (Hungary), Impakt Festival (Holland), Vila do Conde Festival (Portugal), Jihlava Documentary Festival (Czech Republic), Stuttgarter Filmwinter (Germany), Musée des Beaux-Arts de Caen (France), Sixpack Film (Vienna) and the Buenos Aires International Festival (Argentina).

He is a founding member of the Pleasure Dome screening collective and has worked as the artistic director of the Images Festival and as the experimental film co-ordinator at the Canadian Filmmakers Distribution Centre.

Mike Hoolboom has written three non-fiction books, Practical Dreamers: Conversations with Canadian Movie Artists (Coach House, 2008), Inside the Pleasure Dome: Fringe Film in Canada (Coach House Press, 2001) and Plague Years (YYZ Books, 1998) a tongue-in-chic autobiography. His first novel The Steve Machine was published by Coach House Press in the fall of 2008. He has published more than one hundred articles on fringe media which have appeared in magazines and catalogues around the world.

Since 2004 he has been working on Fringe Online (www.fringeonline.ca), a web project which makes available the archives of a number of Canadian media artists. This ongoing project currently consists of hundreds of pages of transcripts, reviews, interviews and scripts, and remains the largest publishing project in the Canadian fringe media sector.

"Prolific and protean, Mike Hoolboom has produced over 20 films, ranging from experimental shorts to daring feature-length dramas. Often cinematically breathtaking, Hoolboom’s works are as visually inventive as Derek Jarman’s and as politically courageous as Pier Paolo Pasolini’s in their explorations of the troubling intersections of desire, the body, the world, and the nation-state in the chaotic, fearful late 20th century.  A major talent whose work has been acclaimed here and abroad, Hoolboom has received more than thirty awards."
--Tom McSorley, Take One

2009 Tom Berner Award Recipient, Images Festival, Toronto