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untitled part 9: this time

Jayce Salloum

2020 00:06:13 Afghanistan, CanadaHazaragiColorStereo16:9HD video

Description

Out of the mouths of rural boys, finding the incomparable Mulla Nasrudin in Afghanistan.

After my first year of art school in San Francisco in 1978, I quit, and headed to the Banff School of Fine Arts to do a year-long residency program. The instructor Hu Hohn got me hooked on Sufi stories such as, The Exploits and Subtleties of the Incomparable Mulla Nasrudin. Mulla Nasrudin is a Sufi wise-fool, trickster-like figure. These books were chock full of funny little contemplative mediation stories. I would read these riding the bus at night and such, to get me through trying days. Later in 2008, I'm in the central highlands of Afghanistan, in Bamiyan, where the colossal Buddha statutes were destroyed by the Taliban. A stark, arid, severe, beautiful landscape, people scrapping by, subsistence farming, much like my grandparents did in Syria. I'm filming scruffy little country boys in a new school built by Western troops. The boys are speaking Hazaragi (a Farsi dialect), via my translator but never having the time to translate responses. At the end of each session, we ask them to tell a joke or a song, something other than the conversation we’ve tried to record. Six months later when I’m back home and the rough transcript translations have been sent to me from Quetta, I discover, lo and behold, then and there, were the very same Sufi stories – thirty years later – being told by these scruffy little country boys at Laisa-e-Aali Zukoor boys school, Bamiyan, Hazarajat, Afghanistan.

These few days I’ve been working with my Afghan collaborator, Khadim Ali; he’s based in Sydney currently. We’re trying to work through the time zones, which goes hand in hand with the other displacements of the overarching pandemic time and space. Many thanks to the impeccable Khadim Ali, and to the translator and eternal wunderkind Muzafar Sanji; to Mohammad Zia, our stalwart driver and safe-keeper who deftly transported us over unspeakable rutted goat trails aka roads; and to all who shared with us a mat to rest or sleep on, stories, food, curious minds, and warm hearts.

– Jayce Salloum

 

Video credits:

Featuring: Ahmed Jan, Mehdi Khan Agha, Hussain Ali

Collaborator & final translation: Khadim Ali

Project commissioner: Haema Sivanesan

On site translator: Muzafar Sanji

Driver (Afghanistan): Mohammad Zia

 

About Jayce Salloum

Jayce Salloum has been working in installation, photography, mixed and new media and video since 1975, as well as curating exhibitions, conducting workshops and coordinating cultural events. After 22 years living and working in San Francisco, Banff, Toronto, San Diego, Beirut, and New York, he now lives/works out of Vancouver.  His work takes place in a variety of contexts critically engaging itself in the representation of cultural/social/political manifestations and other cultures. 

He received his BFA from the San Francisco Art Institute in 1980, an MFA from the University of California, San Diego in 1988, and participated in the Whitney Museum of American Art, Independent Studio program in 1988-89 and the PS1 International Studio Program in 1989-90.

Salloum has had numerous exhibitions throughout North and South America, Europe, Japan and the Middle East, including solo exhibitions at American Fine Arts, Artists Space, ABC No Rio, Collective for Living Cinema, Millennium Film Workshop (New York); New Langton Arts, Pacific Film Archives, SF Cinematheque, ATA (San Francisco); Los Angeles Center for Photographic Studies; CEPA Gallery, Buffalo; YYZ, A Space, Music Gallery, The Photography Gallery (Toronto); Contemporary Art Gallery, Western Front, Pacific Cinematheque, Video In (Vancouver); Optica Gallery, Oboro, Articule, Cinéma Paralléle (Montréal); Plug-In (Winnipeg); Hamilton Art Gallery; Galerie 101 (Ottawa); Southern Alberta Art Gallery (Lethbridge); FAVA, NFB, Metro Cinema, Latitude 53 (Edmonton); The Photographers Gallery (Saskatoon); British Film Institute (London); Kunstlerhaus Bethanien, Botschaft/Friseur, Shin-Shin Galerie (Berlin); The American Centre, and the Institute du Monde Arabe (Paris); and Théatre de Beyrouth (Beirut).  In 1998 he had a solo installation on exhibit at the National Gallery of Canada and in 2002 at the Museum of Civilization, Ottawa.

He has been in many group exhibitions at institutions including the Museum of Modern Art, American Fine Arts, The Kitchen and P.S.1. (New York); Galerie Nationale du Jeu de Paume (Paris); Espace Lyonnais d'Art Contemporain; Rotterdam Film Festival, Kijkhuis World Wide Video Festival, The Milkyway (The Netherlands); Shedhalle, Rote Fabrik (Zurich); Viper (Lucerne); Semaine Int’l de Vidéo (Geneva); Filmladen-Kassel; Kunsthalle Exnergasse, Vienna; Weltbekannt, Hamburg; Retina Festivál, Hungary; Museum of Contemporary Art, Belgrade; Museo Nacional Centro De Arte Reina Sofia; Valencia; Institute of Modern Art, Filmoteca de Andalucía (Córdoba); Museo de Arte Contemporáneo, Seville; Filmhouse, Granada; Arab Screen Film Festival, Qatar; European Media Art Festival; Fotoptica Int’l Video Festival, Sao Paulo; Athens Int’l Film & Video Festival; Robert Flaherty Seminars; PhilaFilm; Louisville Film & Video Festival; ATA, Mill Valley Film Festival (San Francisco); LACE, Los Angeles; Long Beach Museum of Art; Santa Monica Museum of Art; Walker Arts Center; The Wexner Center, Ohio; Visual Studies Workshop, Rochester; Maryland Institute College of Art; Kansas City Art Institute; Canadian Museum of Contemporary Photography, Ottawa; Dazibao, Montréal; YYZ and The National Film Board Theatre (Toronto).

His work is in the collections of the Museum of Modern Art, New York; Centre Georges Pompidou, Paris; Bibliotheque Nationale, Paris; Canadian Museum of Contemporary Photography and Artbank, Ottawa;  Polaroid Europa International Collection, The Netherlands; International Polaroid Collection, Offenbach, Germany; Art Gallery of Windsor; Long Beach Museum of Art, California; The Banff Centre for the Arts; Everson Museum, Syracuse; and Visual Studies Workshop, Rochester, New York

Some of the institutions he has received grants from are the Canada Council, Ontario Arts Council, British Columbia Media Arts Program, New York State Council on the Arts, New York Foundation for the Arts, Long Beach Museum of Art, Art Matters Inc., Banff Centre for the Arts and the Polaroid Corporation.