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Wedding

Köken Ergun

2007 00:12:00 Germany, TürkiyeTurkishColorStereo4:3Video

Description

"Wedding takes its name from the predominantly Turkish neighborhood in Berlin where most of the footage of the film has been recorded. During the course of six months in 2006-2007, I have recorded the wedding ceremonies of Turkish and Kurdish immigrants in Berlin, which culminated in a large video archive. From this archive I have created a three-channel video piece.. But the experiences I have gathered during the course of this project and the archive later led me to include this subject in my current PhD thesis, on cultural performances, and crowd theory."

--Köken Ergun

"In his last piece, a three-channel video installation, Köken Ergun points his camera at various Turkish wedding ceremonies and marital rituals performed in Berlin, depicting them as mirrors of cultural production.

Shot by shot--starting from the moments of preparation at coiffeur salons and ending at the jewelry queues--he creates a fictive documentation of the entire process, exploring what it is that makes these weddings “Turkish”. In his practice, Ergun does not only decode culturally specific perceptions of beauty, happiness, love and family inside the Turkish community, but also reconstructs how hybrid identities have been performed through the diverse codes and forms of the ceremonies and rituals.

Over a period of eight months Ergun shot more than forty wedding ceremonies, then edited and re-edited his work until a fictionalized “Turkish wedding in Berlin” is created out of the ones that have actually taken place. What strikes the audience is the tension between the gaze of the women--who look into the camera with the insecurity of becoming beautiful or not--and the fingers of the men who count the money and keep the jewelry--with the frustration of being strong or not.

When dancing, everyone is so beautiful.

--Adnan Yildiz, 2008

Available for rental only as 3 channel video for exhibitions or split screen version for single screenings.

 

 

 

About Köken Ergun

Köken Ergun is an artist/filmmaker with a background in performing arts. After working with American theater director Robert Wilson, Ergun became involved with video art and film. His films often deal with communities that are not known to a greater public and the importance of ritual in such groups. Ergun usually spends a long time with his subjects before starting to shoot and engages in a long research period for his projects. He also collaborates with ethnographers, historians and sociologists as extensions to his artistic practice. Since 2020, following the Covid pandemic, Ergun has changed his practice by pausing to make films by himself and getting more involved in collaborations with other artists to make installations, fiction and animation films.

His works have been exhibited internationally at institutions including Documenta 14, Paris Triennale, Jakarta Biennial (2015 and 2021), Kathmandu Triennale, Martin Gropius Bau, SALT, Garage Moscow, Para-Site Hong Kong, Artspace Sydney, Stedelijk Museum Bureau Amsterdam, KIASMA, Digital Art Lab Tel Aviv, Casino Luxembourg and Kunsthalle Winterthur. His films received several awards at film festivals including the Tiger Award for Best Short Film at the 2007 Rotterdam Film Festival and the Special Mention Prize at the 2013 Berlinale. Ergun’s works are included in public collections of the Centre George Pompidou, Greek National Museum of Contemporary Art, Stadtmuseum Berlin, Australian War Memorial and Kadist Foundation.

Having studied acting at Istanbul University, Ergun completed his postgraduate studies at King's College London (classics) and Bilgi University (art history). He holds a PhD degree from Freie Universität Berlin (performing arts and anthropology).

Ergun is the co-founder of After the Archive?, an Istanbul based initiative that questions the role and function of archives in public memory and KIRIK; a space for people and subjects in the cracks.