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Mental Landscape

"This is an experimental virtual reality artwork, and while it offers opportunity for interaction, calling this a game goes too far. It is a disappointment simulator, a best-artist-ever-all-the-time artist simulator, a hospice simulator. The experience speaks to the art-making process, impostor syndrome, decay, archives on the moon, and a persistent exile."

— Evan Meaney

*Please note ++ We Will Love You For Ever requires either HTC Vive or Oculus Rift to operate.

On a back-to-nature trip to Boulder, Colorado, George goes to the mountains, but goes on the rocks emotionally.

This title is also available on The World of George Kuchar.

"A piece about self-consciousness and the fearful noise of wind in the trees. Featuring myself as a woman who is lured into the garden by the cries of foliage, given a dinner she doesn't want by a mysterious organic being, and then turned into something else or maybe not.  My first foray into digital editing and special hand crafted frame-by-frame effects."

--Jennet Thomas

Digital video, live action, digital video effects, human pixelation and model animation. 

This sumptuous Valentine sent by Miss Philly unfolds with the lavish lushness of love for HIM whom she adores.

The only time I’ve visited a communist country was when I went to Poland in 1980, not long after Margaret Thatcher’s Conservative government was first elected in Britain. I first visited the former East Germany in 1997, eight years after the fall of the Berlin Wall and a few months after Tony Blair's ‘New Labour’ government was elected. Recalling these experiences many years later, White Hole questions our imaginings of life in other places, times and political systems, mirroring its narrative through its form. London and Warsaw, 1980. London and Leipzig, 1997. Where now?

A young man recovering from emotional wounds, defiantly re-enters the outside world that welcomes his return with all its abundant miracles.

Wrap, 2001

System failure: A man repeats the story of a prison stabbing as something goes wrong with the tape.

This title is also available on Donigan Cumming: Controlled Disturbance and Donigan Cumming Videoworks: Volume 3.