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Eye/Machine III

Harun Farocki

2003 00:25:00 GermanyEnglishColorMono

Description

“The third part of the Eye/Machine cycle structures the material around the concept of the operational image. These are images which do not portray a process, but are themselves part of a process. As early as the Eighties, cruise missiles used a stored image of a real landscape, then took an actual image during flight; the software compared the two images, resulting in a comparison between idea and reality, a confrontation between pure war and the impurity of the actual. This confrontation is also a montage, and montage is always about similarity and difference. Many operational images show colored guidance lines, intended to portray the process of recognition. The lines tell us emphatically what is all-important in these images, and just as emphatically what is of no importance at all. Superfluous reality is denied--a constant denial provoking opposition.”

--Harun Farocki

This title is also available on Radical Closure and Eye/Machine I, II and III.

This title is also available as a two-channel installation for exhibition, please contact VDB for more information.

About Harun Farocki

Harun Farocki (1944-2014) was born in German-annexed Czechoslovakia. From 1966 to 1968 he attended the Deutsche Film- und Fernsehakademie Berlin (DFFB). In addition to teaching posts in Berlin, Düsseldorf, Hamburg, Manila, Munich and Stuttgart, he was a visiting professor at the University of California, Berkeley.

Farocki made close to 120 films, including feature films, essay films and documentaries. He worked in collaboration with other filmmakers as a scriptwriter, actor and producer. In 1976 he staged Heiner Müller's plays The Battle and Tractor together with Hanns Zischler in Basel, Switzerland.

He wrote for numerous publications, and from 1974 to 1984 he was editor and author of the magazine Filmkritik (München). His work has shown in many national and international exhibitions and installations in galleries and museums.